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casts: Charlie Yeung director: Wing-Cheong Law release Year: 2019 rating: 75 vote Duration: 107 M. 喜歡朴樹的嗓音和吐字，更欣賞他的「不忘初心」和才華 🎹 ✍️ 🎶. Honour to the dogs, truly man's best friend... Xiao q wang. Revised: May 16, 2019 (04:51 EST) Wednesday January 2, 2019 (LIMITED) Genesis 2. 0 (Kimstim Films) 2018/NR/1h 52m/Christian Frei and Maxim Arbugaev/Switzerland-China-Russia-South Korea-USA) Friday January 4, 2019 (WIDE) Escape Room (Columbia) 2019/PG-13/1h 40m/Adam Robitel/South Africa-USA) LIMITED) American Hangman (Vertical Entertainment) 2017/NR/1h 39m/Wilson Coneybeare/Canada) Being Rose (Gravitas Ventures) 2018/NR/1h 29m/Rod McCall/USA) Communion /Komunia (Moviola) 2016/NR/1h 12m/Anna Zamecka/Poland) Mojin: The Worm Valley (Well Go USA Entertainment) 2018/NR/1h 50m/Xing Fei/China) Rust Creek (IFC Midnight) 2018/R/1h 48m/Jen McGowan/USA) State Like Sleep (The Orchard) 2018/NR/1h 44m/Meredith Danluck/USA) The Vanishing (Saban Films) 2018/R/1h 41m/Kristoffer Nyholm/UK) Wednesday January 9th, 2019 (LIMITED) Modest Heroes: Onoc Short Films Theatre, Volume 1 (Gkids) 2019/Unrated/ Min/Akihiko Yamashita, Hiromasa Yonebayashi and Yoshiyuki Momose) Friday January 11th, 2019 (WIDE) A Dogs Way Home (Columbia) 2019/PG/1h 36min/Charles Martin Smith/USA) Replicas (Entertainment Studios Motion Pictures) 2019/PG-13/1h 47m/Jeffrey Nachmanoff/UK-China-Puerto Rico-USA) The Upside (STX Entertainment) 2017 [not a flub] PG-13/2h 5m/Neil Burger/USA) On The Basis Of Sex (Focus Features/Universal) 2018/PG-13/2h 0m/Mimi Leder/USA) LIMITED) The 6th Friend (The Asylum) 2016/Unrated/1h 25m/Letia Clouston/USA) Alone In The Dead Of Night (Indie Rights) 2017/Unrated/1h 35m/Matty Castano/USA) Anthem of a Teenage Prophet (SP Distribution) 2018/Unrated. min/Robin Hays/Canada) Ashes In The Snow (Vertical Entertainment) 2019/Unrated/1h 38m/Marius A. Markevicius/USA-Lithuania) The Aspern Papers (Cohen Media Group) 2019/R/1h 30m/Julien Landais/UK-Germany) Beyond The Night (Breaking Glass Pictures) 2019/Unrated/1h 38m/Jason Noto/USA) Buffalo Boys (2019/Samuel Goldwyn Films) 2019/Unrated/1h 42m/Mike Wiluan/Indonesia-Singapore) Jobez World (Factory 25) 2019/Unrated/1h 7m/Michael M. Bilandic/USA) Norm of the North: Keys to the Kingdom (Lionsgate) 2019/Unrated/1h 31m/Richard Finn and Tim Maltby/India-USA) Perfect Strangers (Perfectos Desconocidos) Pantelion Films) 2019/Unrated/1h 37m/Manolo Caro/Spain-Italy) Pledge (IFC Midnight) 2019/NR/1h 17m/Daniel Robbins/USA) Sgt. Will Gardner (Cinedigm Entertainment Group) 2019/Unrated/2h 5m/Max Martini/USA) Tall Tales From The Magical Garden of Antoon Krings (Gébéka Films) 2019/PG/1h 28m/Antoon Krings and Arnaud Bouron/France-Luxembourg) Touch Me Not (Kino Lorber) 2019/Unrated/2h 3m/Adina Pintilie/Romania-Germany-Czech Republic-Bulgaria-France) The Untold Story (Ammo Content) 2019/Unrated/1h 44m/Shane Stanley/USA) Wednesday January 16th, 2019 (LIMITED) Dragon Ball Super: Broly (Doragon bôru chô: Burorî - Dragon Ball Super: Broly) Toei/FUNimation/20th Century Fox) 2018/PG/1h 40m/Tatsuya Nagamine/Japan) The Heiresses (Las herederas) Distrib Films) 2018/Unrated/1h 38m/Chris Bell/Paraguay-Germany-Uruguay-Brazil-Norway-France) Friday January 18th, 2019 (WIDE) Glass (Universal Pictures) 2019/PG-13/2h 9m/M. Night Shyamalan/USA) LIMITED) Canal Street (Smith Global) 2018/PG-13/1h 29m/Rhyan LaMarr/USA) Adult Life Skills (Social Media Productions) 2016/TV-MA/1h 36m/Rachel Tunnard/UK) An Acceptable Loss (aka The Pages) IFC Films) 2019/R/1h 42m/Joe Chappelle/USA) The Brawler (Vertical Entertainment) 2018/NR/ Ken Kushner/USA) Dont Come Back From The Moon (Brainstorm Media) 2017/Unrated/1h 38m/Bruce Thierry Cheung/USA) Egg (Gravitas Ventures) 2018/Unrated/1h 30m/Marianna Palka/USA) Fyre (Netflix) 2019/TV-MA/1h 37m/Chris Smith/USA) I Hate Kids (Freestyle Digital Media) 2019/PG-13/1h 29m/John Mallory Asher/USA) The Last Man (Lionsgate) 2018/R/1h 40m/Rodrigo H. Vila/Argentina-Canada) Split Lip (Indie Rights Movies) 2019/Unrated/1h 40m/Christopher Sheffield/USA) The Standoff At Sparrow Creek (RLJ Entertainment) 2018/Unrated/1h 28m/Henry Dunham/USA) West of Sunshine (Uncorkd Entertainment) 2017/Unrated/1h 18m/Jason Raftopoulos/Australia) Who Will Write Our History? Abramorama) 2018/Unrated/1h 35m/Roberta Grossman) Tuesday January 22, 2019 (LIMITED) Dolphin Kick (Epic Pictures Releasing) 2019/TV-G/ min/Philip Marlatt/USA) Wednesday January 23, 2019 (LIMITED) Bricked (GathrFilms) 2018/Unrated/1h 32m/Aleshia Cowser/USA) The 5 Browns: Digging Through The Darkness. 2019/Unrated/1h 37m/Ben Niles/USA) Thursday January 24, 2019 (LIMITED) The Final Wish (Cinedigm Entertainment Group) 2018/Unrated/1h 35m/Timothy Woodward, Jr. /USA) Friday January 25th, 2019 (WIDE) The Kid Who Would Be King (Twentieth Century Fox Film Corporation) 2019/PG/2h 0m/Joe Cornish/UK) Serenity (Aviron) 2019/R/1h 46m/Steven Knight/USA) LIMITED) King Of Thieves (StudioCanal) 2019/R/1h 48m/James Marsh/Germany-Italy) Never Look Away (Werk ohne Autor) Columbia Picture Classics) 2019/R/3h 8m/Florian Henckel von Donnersmarck) Dead Ant (August Heart Entertainment) 2017/Unrated/1h 27m/Ron Carlson/USA) Goodnight, Charlene (Indie Rights) 2017/Unrated/ m/Chris Zuhdi/USA) Heartlock (Uncorkd Entertainment) 2019/Unrated/1h 36m/Jon Kauffman/USA) The Image Book (Le livre dimage) Kino Lorber) 2018/Unrated/1h 24m/Jean-Luc Godard/Switzerland-France) In Like Flynn (Blue Fox Entertainment) 2018/R/1h 46m/Russell Mulcahy/Australia) The Invisibles (Die Unsichtbaren) Albatros Film) 2017/Unrated/1h 50m/ Claus Räfle/Germany) Jihadists (Cinema Libre Studio) 2019/Unrated/1h 15m/François Margolin and Lemine Ould M. Salem/France-Mali-Mauritania-Tunisia) King Of Beasts (Gravitas Ventures) 2018/Unrated/1h 26m/Nadav Harel and Tomer Almagor/USA-Tanzania-Israel) Wednesday January 30th, 2019 (LIMITED) The Wild Pear Tree (Ahlat Agaci) The Cinema Guild) 2018/Unrated/3h 8m/Nuri Bilge Ceylan/Turkey-Republic of Macedonia-France/Germany-Bosnia and Herzegovina-Bulgaria- Sweden) The Gandhi Murder (Solar Eclipse: Depth of Darkness) Rising Star Entertainment) 2019/Unrated/2h 18m/Karim Traïdia and Pankaj Sehgal/UK) Hunter x Hunter: The Last Mission (Gekijouban Hunter x Hunter: The Last Mission) Toho Company) 2013/Unrated/1h 37m/Keiichirô Kawaguchi/Japan) Thursday January 31, 2019 (LIMITED) An Affair To Die For (Vertical Entertainment) 2019/Unrated/1h 22m/Victor Garcia/Spain) Jimi Hendrix: Electric Church (Abramorama) 2015/Unrated/1h 29m/John McDermott/USA) Painkillers (Vision Films) 2018/Unrated/1h 23m/Roxy Shih/Belgium) Friday February 1st, 2019 (WIDE) Miss Bala (Columbia Pictures) 2019/PG-13/1h 44m/Catherine Hardwicke/Mexico-USA) LIMITED) Arctic (Bleecker Street Releasing) 2019/PG-13/1h 37m/Joe Penna/Iceland) Daughter Of Mine (Figlia mia) Strand Releasing) 2018/Unrated/1h 37m/Laura Bispuri/Italy-Germany-Switzerland) Ek Ladki Ko Dekha Toh Aisa Laga (Fox STAR Studios) 2019/Unrated/2h 0m/Shelly Chopra Dhar/India) The Golem (Epic Pictures Group) 2018/Unrated/1h 35m/Doron Paz and yoav Paz/Israel) Just A Breath Away (Dans La Brume) Culture Publishers (CP. 2018/Unrated/1h 29m/Daniel Roby/France-Canada) Outlaws (A24) 2017/R/1h 32m/Stephen McCallum/Australia) The St. Bernard Syndicate (Uncorkd Entertainment) 2018/Unrated/1h 40m/Mads Brügger/Denmark) Then Came You (Dutch FilmWorks (DFW) 2018/Unrated/1h 37m/Peter Hutchings/USA) The Unicorn (The Orchard) 2018/Unrated/1h 28m/Robert Schwartzman/USA) Wednesday February 6th, 2019 (LIMITED) Peppa Celebrates Chinese New Year (xiao zhu pei qi guo da nian) STX Entertainment) 2019/G/1h 21m/Dapeng Zhang/China) Friday February 8th, 2019 (WIDE) The LEGO Movie II: The Second Part (Warner Bros. Pictures) 2019/PG/1h 46m/Mike Mitchell/Denmark-Norway-Australia-USA) Cold Pursuit (Summit Entertainment/Lionsgate) 2019/R/1h 59m/Hans Petter Moland/UK-Norway-Canada-USA-France) What Men Want (Paramount Pictures) 2019/R/1h 57m/Adam Shankman/USA) LIMITED) Everybody Knows (Todos lo saben) Focus Features) 2018/R/2h 12m/Asghar Farhadi/Spain-France-Italy) Berlin, I Love You (Saban Films) 2019/R/2h 0m /Dani Levy, Daniel Lwowski, Dennis Gansel, Dianna Agron, Fernando Eimbcke, Gabriela Tscherniak, Josef Rusnak, Justin Franklin, Massy Tadjedin, Peter Chelsom, and Til Schweiger/Germany) Untogether (Freestyle Digital Media) 2018/R/1h 38m/Emma Forrest/USA) Lords of Chaos (Gunpowder & Sky) 2018/R/1h 58m/Jonas Åkerlund/UK-Sweden-Norway) The Prodigy (Orion Releasing) 2019/R/1h 32m/Nicholas McCarthy/Canada-USA) The Man Who Killed Hitler and Then The Bigfoot (Eagle Films) 2019/Unrated/1h 38m/Robert D. Krzykowski/USA) The Amityville Murders (Skyline Entertainment) 2018/Unrated/1h 37m/Daniel Farrands/USA) Beneath The Leaves (Vertical Entertainment) 2019/Unrated/ m/Adam Marino/USA) The Divorce Party (Gravitas Ventures) 2019/Unrated/1h 33m/Hughes William Thompson/USA) High Flying Bird (Netflix) 2019/Unrated/1h 30m/Steven Soderbergh/USA) The Isle (Brainstorm Media) 2018/Unrated/1h 36m/Matthew Butler-Hart/UK) Pinsky (Breaking Glass Pictures) 2017/Unrated/1h 13m/Amanda Lundquist/USA) St. Agatha (Uncorkd Entertainment) 2018/Unrated/1h 30m/Darren Lynn Bousman/USA) To Dust (Good Deed Entertainment) 2018/Unrated/1h 45min/Shawn Snyder/USA) Under The Eiffel Tower (The Orchard) 2018/Unrated/1h 27m/Archie Borders/USA) A Violent Man (GVN Releasing) 2017/Unrated/1h 47m/Matthew Berkowitz/USA) Wednesday February 13th, 2019 (WIDE) Isnt It Romantic? Warner Bros. Pictures) 2019/PG-13/1h 29m/Todd Strauss-Shulson/USA) LIMITED) Birds Of Passage (Pájaros de verano) Interior 13 Cine) 2019/Unrated/2h 5m/Ciro Guerra and Cristina Gallego/Colombia-Denmark-English) Friday February 15th, 2019 (WIDE) Alita: Battle Angel (20th Century Fox) 2019/PG-13/2h 2m/Robert Rodriguez/USA) Fighting With My Family (MGM) 2019/PG-13/1h 48m/Stephen Merchant/UK-USA) Happy Death Day 2U (Universal Pictures) 2019/PG-13/1h 40m/Christopher B. Landon/USA) LIMITED) Ruben Brandt, Collector (Sony Pictures Classics) 2018/R/1h 36m/Milorad Krstic/Hungary) Donnybrook (IFC Films) 2018/R/1h 41m/Tim Sutton/USA) Sorry Angel (Plaire, aimer et courir vite) Strand Releasing) 2018/Unrated/2h 12m/Christophe Honoré/France) Hotel By The River (Gangbyeon hotel) Cinema Guild) 2018/Unrated/1h 36m/Sang-soo Hong/South Korea) The Maestro (Freestyle Releasing) 2018/Unrated/1h 34m/Adam Cushman/USA) Patrick (Screen Media Films) 2018/Unrated/1h 34m/Mandie Fletcher/UK) Friday February 22nd, 2019 (WIDE) How to Train Your Dragon: The Hidden World (Universal Pictures) 2019/PG/1h 44m/Dean DeBlois/USA) Run the Race (Roadside Attractions) 2018/PG/1h 41m/Chris Dowling/USA) LIMITED) Piercing (2018/R/1h 21m/Nicolas Pesce/USA) The Iron Orchard (Santa Rita Film Co. 2018/R/1h 52m/Ty Roberts/Italy-USA) The Changeover (Vertical Entertainment) 2017/Unrated/1h 35m/Miranda Harcourt and Stuart McKenzie/New Zealand) 1st Summoning (Gravitas Ventures) 2018/Unrated/1h 37m/Raymond Wood/USA) Prosecuting Evil (Vertical Entertainment) 2018/Unrated/1h 23m/Barry Avrich/Canada) Wednesday February 27th, 2019 (LIMITED) Styx (Film Movement) 2018/Unrated/1h 34m/Wolfgang Fischer/Germany-Austria) Friday March 1st, 2019 (WIDE) Tyler Perrys “A Madea Family Funeral” (Lionsgate) 2019/PG-13/1h 49m/Tyler Perry/USA) Greta (Focus Features) 2018/R/1h 38m/Neil Jordan) LIMITED) Apollo 11 (NEON) 2019/G/1h 33m/Todd Douglas Miller/USA) St. Judy (Blue Fox Entertainment/Forefront Media Group) 2018/PG-13/1h 46m/Sean Hanish/USA) Climax (A24) 2018/R/1h 35m/Gaspar Noé/France-Belgium) Giant Little Ones (Mongrel Media) 2018/R/1h 33m/Keith Behrman/Canada) We Die Young (ACE Entertainment) 2019/R/1h 32m/Lior Geller/Bulgaria-USA) The Wedding Guest (IFC Films) 2018/R/1h 34m/Michael Winterbottom/UK) The Hole In The Ground (A24) 2019/R/1h 30m/Lee Cronin/Ireland) Transit (Music Box Films) 2018/Unrated/1h 41m/Christian Petzold/Germany France) He Matado A Mi Marido (Hammond) Francisco Lupini-Basagoiti) Woman At War (Kona fer í stríð) Magnolia Pictures) 2018/Unrated/1h 41m/Benedikt Erlingsson/Iceland-France-Ukraine) He matado a mi marido! Imperator Pictures) 2018/Unrated/1h 48m/Francisco Lupini-Basagoiti/USA) Beers of Joy (Gravitas Ventures) 2019/Unrated/David Swift, Scott Owen/USA) The Boy Who Harnessed The Wind (Netflix) 2019/Unrated/1h 53m/Chiwetel Ejiofor/UK) The Cannibal Club (O Clube dos Canibais) Uncorkd Entertainment) 2018/Unrated/1h 21m/Guto Parente/Brazil) Cliffs of Freedom (Round Hill Media) 2019/R/2h 17m/Van Ling/USA) Devils Path (Breaking Glass Pictures) 2018/Unrated/1h 27m/Matthew Montgomery/USA) Furie (Hai Phuong) Well Go USA Entertainment) 2019/Unrated/1h 38m/Le-Van Kiet/Vietnam) Joseph Pulitzer: Voice of the People (First Run Features) 2018/Documentary/1h 24m/Oren Rudavsky/USA) Level 16 (Dark Sky Films) 2018/Unrated/1h 42m/Danishka Esterhazy/Canada) Mapplethorpe (Samuel Goldwyn Films) 2018/Unrated/1h 42m/Ondi Timoner/USA) Pretty Broken (Freestyle Digital Media) 2018/Unrated/1h 43m/Brett Eichenberger/USA) Sharkwater Extinction (Freestyle Digital Media) 2018/Unrated/1h 28m/Rob Stewart. Smaller and Smaller Circles (Uncorkd Entertainment) 2017/Unrated/1h 51m/Raya Martin/The Philippines) Something (Subspin Productions) 2018/Unrated/1h 26m/Stephen Portland/USA) The Sower (Le semeur) Film Movement) 2017/Unrated/1h 38m/Marine Francen/French) Stray (Screen Media Films) 2019/Unrated/1h 29m/Joe Sill/USA) This Magnificent Cake! Ce magnifique gâteau. GKIDS) 2018/Unrated/44m/Emma De Swaef and Marc James Roels/Belgium-France-The Netherlands) Tuftland (Kyrsyä) Subliminal Films) 2017/Unrated/1h 29m/Roope Olenius/Finland) Thadam (Redhan) 2019/Unrated/2h 18m/Magizh Thirumeni/India) Yajamana (Media House) 2019/Unrated/2h 44m/V. Harikrishna and Pon Kumaran/India) Sonchiriya (R. S. V. P. 2019/Unrated/2h 23m/Abhishek Chaubey/India) Luka Chuppi (Maddock Films) 2019/Unrated/2h 6m/Laxman Utekar/India) 118 (East Coast Productions) 2019/Unrated/2h 0m/K. Guhan/India) Virginia Minnesota (Indican Pictures) 2019/Unrated/1h 38m/Daniel Stine/USA) Friday March 8th 2019 (WIDE) Captain Marvel (Marvel/Walt Disney Studios Motion Pictures) 2019/PG-13/2h 4m/Anna Boden and Ryan Fleck/USA) LIMITED) The Kid (Lionsgate) 2019/R/1h 40m/Vincent DOnofrio/USA) Gloria Bell (A24) 2018/R/1h 42m/Sebastián Lelio/Chile-USA) The Sex Trip (Ammo Content) 2017/Unrated/1h 30m/Anthony G. Cohen/USA) An Elephant Standing Still (Da xiang xi di er zuo) Kimstim Films) 2018/Unrated/3h 50m/Quian “Bo” H u/China) 3 Faces (Se rokh) Kino Lorber) 2018/Unrated/1h 40m/Jafar Panahi/Iran) Babylon (Kino Lorber) 1980-2019/Unrated/1h 35m/Franco Rosso/UK-Italy) Badla (Red Chillies Entertainment) 2019/Unrated/1h 58m/Sujoy Ghosh/India) Black Mother (Grasshopper Film) 2018/Unrated/1h 17m/Khalik Allah/USA) Ferrante Fever (Greenwich Entertainment) 2017/Unrated/1h 14m/Giacomo Durzi/Italy-France) Im Not Here (Gravitas Ventures) 2017/Unrated/1h 21m/Michelle Chumacher/LUSA) Island of the Hungry Ghosts (Sentient Art Film) 2018/Unrated/1h 38m/Gabrielle Brady/Germany-UK-Australia) Two Plains & A Fancy (Factory 13) 2018/Unrated/1h 30m/Whitney Horn and Lev Kalman/USA) And Then There Was Eve (Breaking Glass Pictures) 2017/Unrated/1h 36m/Savannah Bloch/USA) Triple Frontier (Netflix) 2019/2h 5m/J. C. Chandor/USA) Boomerang (Masala Pix) 2019/Unrated/2h/R. Kannan/India) Friday March 15th 2019 (WIDE) Five Feet Apart (Lionsgate) 2019/PG-13/1h 56m/Justin Baldoni/USA) Wonder Park (Paramount Pictures) 2019/PG/1h 25m. Spain-USA) Captive State (Focus Features) 2019/PG-13/1h 49m/Rupert Wyatt/USA) LIMITED) Chimera Strain (Vertical Entertainment) 2018/R/1h 20m/Maurice Haeems/India-United Arab Emirates-USA) Nancy Drew and the Hidden Staircase (2019/PG/1h 29m/Kat Shea/USA) The Hummingbird Project (The Orchard) 2018/R/1h 51m/Kim Nguyen/Belgium-Canada) The Mustang (Focus Features) 2019/R/1h 36m/Drama/Laure de Clermont-Tonnerre/France-USA) Ash is Purest White (Cohen Media Releasing) 2018/Unrated/2h 16m/Zhangke Jia/China-France-Japan) No Manches Frida II (Pantelion) 2019/R/1h 42m/Nacho G. Velilla/USA) The Aftermath (Fox Searchlight) 2019/R/1h 48m/James Kent/UK-Germany-USA) Faith, Hope & Love (ArtAffects) 2019/PG/1h 46m/J. J. Englert and Robert Krantz/USA) Iceman: The Time Traveller (Bing feng: Yong heng zhi men) 2018/Unrated/1h 44m/Wai Man Yip/China-Hong Kong) Yardie (Rialto) 2018/Unrated/1h 41m/Idris Alba/UK) Friday March 22nd, 2019 (WIDE) Us (Universal Pictures) 2019/R/1h 56m/Jordan Peele/USA-Japan) LIMITED) Sunset (Napszállta) Sony Pictures Classics) 2018/R/2h 22m/László Nemes/Hungary-France) Ramen Shop (Strand Releasing) Eric Khoo) Friday March 29th, 2019 (WIDE) Dumbo (2019) Disney Pictures) 2019/PG/1h 52m/Tim Burton/USA) The Beach Bum (NEON) 2019/R/1h 35m/Harmony Korine/Switzerland-UK-France-USA) Hotel Mumbai (Bleecker Street) 2018/R/2h 3m/Anthony Maras/Australia-USA-India) LIMITED) Trinity Seven: Heavens Library & Crimson Lord (Atlas Distribution) 2019/R/1h 3m/Hiroshi Nishikiori/Japan) Screwball (Greenwich) 2018/Unrated/1h 45m/Billy Corben/USA) Friday April 5th, 2019 (WIDE) Shazam! Warner Bros. Pictures) 2019/PG-13/2h 12m/David F. Sandberg/USA) Pet Sematary (2019) Paramount Pictures) 2019/R/1h 41m/Kevin Kölsch and Dennis Widmyer/USA) The Best of Enemies (STX Entertainment) 2019/PG-13/2h 13m/Robin Bissell/USA) LIMITED) Amazing Grace (2018/G/1h 27m/Alan Elliott and Sydney Pollack/USA) Storm Boy (Good Deed) 2019/PG/1h 39m/Shawn Seet/Australia) The Biggest Little Farm (NEON) 2018/PG/1h 31m/John Chester/USA) The Public (Greenwich) 2018/PG-13/2h 2m/Emilio Estevez/USA) Peterloo (Amazon) 2018/PG-13/2h 34m/Mike Leigh/UK) High Life (A24) 2018/R/1h 50m/Claire Denis/Germany-France-UK-Poland-USA) The Wind (IFC Films) 2018/R/1h 26m/Emma Tammi/USA) Billboard (iDreamMachine) 2019/Unrated/1h 29m/Zeke Zelker/USA) Suburban Birds (Jiao qu de niao) Cinema Guild) 2018/Unrated/1h 58m/Sheng Qiu/China-Taiwan) Friday April 12th, 2019 (WIDE) Missing Link (Annapurna) 2019/PG/1h 35m/Chris Butler/USA-Canada) Little (Universal Pictures) 2019/PG-13/1h 48m/Tina Gordon Chism/USA) After (Aviron) 2019/PG-13/1h 46m/Jenny Gage/USA) Hellboy (Summit Entertainment/Lionsgate) 2019/R/Neil Marshall/USA) LIMITED) Teen Spirit (Bleecker Street) 2018/PG-13/1h 32m/Max Minghella/UK-USA) Wild Nights With Emily (Greenwich) 2018/PG-13/1h 24m/Madeleine Olnek/USA) Stockholm (Smith Global) 2018/R/1h 32m/Robert Budreau/Canada-USA) Girls of the Sun (Les filles du soleil) Cohen Media Releasing) 2018/Unrated/1h 55m/Eva Husson/France-Belgium-Georgia-Switzerland) Sauvage (Strand) 2018/Unrated/1h 39m/Camille Vidal-Naquet/France) Rottentail (Ammo Content) 2018/Unrated/Brian Skiba/USA) A Dark Place (Steel Country) 2018/Unrated/1h 29m/Simon Fellows/UK) Wednesday April 17th, 2019 (LIMITED) Kalank (FIP) 2019/Abhishek Varman/India) Friday April 19th, 2019 (WIDE) Disneynatures “Penguins” (Disney Pictures) 2019/G/1h 16m/Alastair Fothergill, Mark Linfield and Jeff Wilson/USA) Breakthrough (20th Century Fox) 2019/PG/1h 56m/Roxann Dawson/USA) The Curse of La Llorona (Warner Bros. Pictures) 2019/R/1h 33m/Michael Chaves/USA) LIMITED) Fast Color (Lionsgate) 2018/PG-13/1h 40m/Julia Hart/USA) Under the Silver Lake (A24) 2018/R/2h 19m/David Robert Mitchell/USA) Little Woods (NEON) 2018/R/1h 45m/Crime, Drama, Western/Nia DaCosta/USA) Rafiki (Film Movement) 2018/Unrated/1h 23m/Wanuri Kahiu/Kenya-South Africa-German-The Netherlands-France-Norway-Lebanon) High On The Hog (Indican Pictures) 2017/Unrated/1h 25m/Tony Wash/USA) Stuck (Eammon Films) 2017/PG-13/1h 30m/Michael Berry/USA) Grass (Cinema Guild) Sang-soo Hong) Monday April 22, 2019 (LIMITED) Bright Ones (2019/PG/1h 24m/David Norona and Fred Vassallo) Friday April 26th, 2019 (GALAXYWIDE) Avengers: Endgame (Marvel/Disney Pictures) 2019/PG-13/3h 2m/Anthony Russo and Joe Russo/USA) LIMITED) The White Crow (Sony Pictures Classics) 2018/R/2h 7m/Ralph Fiennes/UK-France) Body at Brighton Rock (Magnolia) Roxanne Benjamin) Friday May 3rd, 2019 (WIDE) UglyDolls (STX Entertainment) 2019/PG/1h 27m/Kelly Asbury/China-Canada-USA) The Intruder (Sony/Screen Gems) 2019/PG-13/1h 42m/Deon Taylor/USA) Long Shot (Summit Entertainment/Lionsgate) 2019/R/2h 5m/Jonathan Levine/USA) El Chicano (Briarcliff) 2018/R/2h 22m/Ben Hernandez Brav/USA) LIMITED) Bolden (Abramorama) 2019/R/Dan Pritzker/USA) Meeting Gorbachev (The Orchard) 2018/1h 30m/Werner Herzog and Andre Singer/UK-USA-Germany) Ask Dr. Ruth (Magnolia) 2019/1h 40m/Ryan White/USA) Friday May 10th, 2019 (WIDE) Pokémon: Detective Pikachu (2019/PG/1h 44m/Warner Brothers Pictures/Rob Letterman/Japan-USA) The Hustle (MGM) 2019/PG-13/1h 34m/Chris Addison/USA) Poms (STX Entertainment) 2019/PG-13/Zara Hayes/UK-USA) LIMITED) All Is True (Sony Pictures Classics) 2018/PG-13/1h 41m/Kenneth Branagh) My Son (Mon garçon) Cohen Media Releasing) 2017/PG-13/1h 24m/Christian Carion/France-Belgium) Tolkien (Fox Searchlight) 2019/PG-13/1h 52m/Dome Karukoski/USA) Student of the Year 2 (FIP) 2019/ Punhit Malhotra/India) Friday May 17th, 2019 (WIDE) A Dogs Journey (Universal) 2019/PG/1h 48m/Gail Mancuso/USA) The Sun Is Also a Star (Warner Brothers) 2019/PG-13/Ry-Russo-Young/USA) John Wick - Chapter III: Parabellum (Summit/Lionsgate) 2019/R/2h 10m/Chad Stahelski/USA) LIMITED) The Souvenir (A24) 2019/R/1h 59m/Joanna Hogg/UK-USA) The Third Wife (Film Movement) 2018/R/Drama/Ash Mayfair/Vietnam) Trial By Fire (Roadside Attractions) 2018/R/2h 7m/Edward Zwick/USA) The Meanest Man In Texas (Ammo Content) 2017/1h 45m/Justin Ward/USA) Aniara (Magnolia) 2018/R/1h 46m/Pella Kågerman and Hugo Lilja/Sweden-Denmark) Slaughterhouse Rulez (Sony Pictures) 2018/R/1h 44m/Crispian Mills/UK) The Professor and the Madman (Vertical Entertainment) 2019/2h 4m/Farhad Safinia/Ireland) Wednesday May 22nd, 2019 (LIMITED) The Tomorrow Man (Bleecker Street) 2019/PG-13/1h 34m/Noble Lincoln Jones/USA) Friday May 24th, 2019 (WIDE) Aladdin (Disney) 2019/PG/2h 8m/Guy Ritchie/USA) Brightburn (Sony/Screen Gems) 2019/R/1h 30m/David Yarovesky/USA) LIMITED) Booksmart (Annapurna) 2019/R/1h 42m/Olivia Wilde/USA) Echo In The Canyon (Greenwich) 2018/Unrated/1h 22m/Andrew Slater/USA) Halston (The Orchard) 2019/2h 0m/Documentary/USA) The Proposal (Oscilloscope Pictures) 2018/1h 26m/Jill Magid) Indias Most Wanted (FIP) 2019/Raj Kumar Gupta/India) Funny Story (Blue Fox Entertainment) 2018/1h 24m/Michael J. Gallagher/USA) Friday May 31st, 2019 (WIDE) Godzilla: King of the Monsters (Warner Brothers) 2019/PG-13/2h 12m/Michael Dougherty/USA) Ma (Universal Pictures) 2019/R/1h 39m/Tate Taylor/USA) Rocketman (Paramount) 2019/R/2h 1m/Dexter Fletcher/UK-USA) Wednesday June 5, 2019 (LIMITED) Bharat (Viva Pictures Distribution) 2019/Ali Abbas Zafar/India) Friday June 7th, 2019 (WIDE) The Secret Life of Pets II (Universal Pictures) 2019/PG/1h 26m/Chris Renaud/France-Japan-USA) X-Men: Dark Phoenix (Fox/Disney) PG-13/Simon Kinberg) LIMITED) Late Night (Amazon Studios) 2019/R/1h 42m/Nisha Ganatra/USA) Nightmare Cinema (Cranked Up/Shudder) 2018/R/1h 59m/Mick Garris, Joe Dante, David Slade, Ryuhei Kitamura and Alejandro Brugues/USA) Wednesday June 12th, 2019 (LIMITED) The Art Of Self-Defense (Bleecker Street) 2019/R/1h 44m/Riley Stearns/USA) The Last Black Man In San Francisco (A24) 2019/R/2h 0m/ Joe Talbot/USA) Friday June 14th, 2019 (WIDE) Men in Black International (Columbia) F. Gary Gray) Shaft (2019) Warner Brothers) R/Tim Story) LIMITED) The Dead Dont Die (Focus Features) R/Jim Jarmusch) American Woman (Roadside Attractions) R/Jake Scott) Friday June 21st, 2019 (WIDE) Toy Story IV (Pixar/Disney) G/Josh Cooley) Anna (Lionsgate) Luc Besson) Childs Play (2019) Orion Releasing) R/Lars Klevberg) LIMITED) Toni Morrison: The Pieces I Am (Magnolia) PG-13/Timothy Greenfield-Sanders) Swinging Safari (Blue Fox Entertainment) R/Stephan Elliott) Wild Rose (NEON) R/Tom Harper) Wednesday June 26th, 2019 (WIDE) Annabelle Comes Home (New Line) Gary Dauberman) Friday June 28th, 2019 (WIDE) Yesterday (Universal) PG-13/Danny Boyle) 47 Meters Down: Uncaged (Entertainment Studios Motion Pictures) Johannes Roberts) LIMITED) Maiden (Sony Classics Pictures) PG/Alex Holmes) Three Peaks (Greenwich) Jan Zabeil) Tuesday July 2, 2019 (WIDE) Spider-Man: Far from Home (Columbia) Jon Watts) Wednesday July 3rd, 2019 (WIDE) Midsommar (A24) Ari Aster) Friday July 5th, 2019 (LIMITED) Marianne and Leonard: Words of Love (Roadside Attractions) Nick Broomfield) Friday July 12th, 2019 (WIDE) 21 Bridges (STX Entertainment) Brian Kirk) Stuber (Fox/Disney) Michael Dowse) Crawl (Paramount) Alexandre Aja) LIMITED) 4. The Farewell (A24) PG/Lulu Wang) Friday July 19th, 2019 (WIDE) The Lion King (2019) Disney) Jon Favreau) LIMITED) David Crosby: Remember My Name (Sony Classics Pictures) A. Eaton) Friday July 26th, 2019 (WIDE) Once Upon a Time in Hollywood (Columbia) Quentin Tarantino) Brahms: The Boy 2 (STX Entertainment) William Brent Bell) LIMITED) Tel Aviv on Fire (Cohen Media Group) Sameh Zoabi) Mike Wallace Is Here (Magnolia) PG-13/Avi Belkin) Wednesday July 31, 2019 (LIMITED) Jay Myself (Oscilloscope Pictures) Stephen Wilkes) Friday August 2nd, 2019 (WIDE) Fast and the Furious presents Hobbs & Shaw (Universal) David Leitch) LIMITED) Luce (NEON) Julius Onah) The Nightingale (IFC) Jennifer Kent) Friday August 9th, 2019 (WIDE) Dora and the Lost City of Gold (Paramount) James Bobin) The Art of Racing In The Rain (Fox/Disney) PG/Mark Bomback) The Kitchen (Warner Brothers) R/Andrea Berloff) Scary Stories to Tell in the Dark (Lionsgate) André Øvredal) LIMITED) 4. Brian Banks (Bleecker Street) Tom Shadyac) 5. After The Wedding (Sony Classics Pictures) Bart Freundlich) 6. The Peanut Butter Falcon (Roadside Attractions) Tyler Nilson and Michael Schwartz) Wednesday August 14th, 2019 (WIDE) Blinded By The Light (Warner Brothers) Gurinder Chadha) The Angry Birds Movie II (Columbia) Thurop Van Orman and John Rice) Friday August 16th, 2019 (WIDE) Good Boys (Universal Pictures) R/Lee Eisenberg and Gene Stupnitsky) Whered You Go, Bernadette? Annapurna) PG-13/Richard Linklater) LIMITED) The Informer (Aviron) Andrea Di Stefano) Aquarela (Sony Classics Pictures) Victor Kossakovsky) Cold Case Hammarskjöld (Magnolia) Mads Brügger) Friday August 23rd, 2019 (WIDE) Angel Has Fallen (Lionsgate) Ric Roman Waugh) Ready Or Not (Fox Searchlight) Matt Bettinelli-Olpin and Tyler Gillett) LIMITED) 2. Overcomer (Affirmation) PG/Alex Kendrick) 3. Brittany Runs A Marathon (Amazon) Paul Downs Colaizzo) 4. Fiddler: A Miracle Of Miracles (Roadside Attractions) PG-13/Max Lewkowicz) Friday August 30th, 2019 (WIDE) PLAYMOBIL (STX Entertainment) Lino DiSalvo) LIMITED) My Boyfriends Meds (Pantelion) Diego Kaplan) Friday September 6th, 2019 (WIDE) Stephen Kings “IT”: Chapter II (Warner Brothers) Andrés Muschietti) Friday September 13th, 2019 (WIDE) The Goldfinch (Warner Brothers) R/John Crowley) Hustlers (STX Entertainment) Lorene Scafaria) LIMITED) Monos (NEON) Alejandro Landes) Wednesday September 18, 2019 (LIMITED) Midnight Traveler (Oscilloscope Pictures) Hassan Fazili) Friday September 20th, 2019 (WIDE) Downton Abbey (Focus Features) PG/Julian Fellowes) Ad Astra (Fox/Disney) James Gray) Rambo V: Last Blood (Lionsgate) Adrian Grunberg) Wednesday September 25th, 2019 (WIDE) Praise This (Universal) unknown at present) Friday September 27th, 2019 (WIDE) Abominable (Universal Pictures) PG/Tim Johnson and Todd Wilderman) The Hunt (Universal Pictures) Craig Zobel) Judy (Roadside Attractions) PG-13/Rupert Goold) All Rise (Entertainment Studios) Anthony Mandler) Friday October 4th, 2019 (WIDE) Joker (Warner Bros. Pictures) Todd Phillips) The Woman in the Window (Fox/Disney) Joe Wright) LIMITED) 3. Pain and Glory (Dolor y Gloria) Sony Classics Pictures) Pedro Almodóvar) Friday October 11th, 2019 (WIDE) Gemini Man (Paramount) Ang Lee) The Addams Family (2019) MGM) Conrad Vernon) Friday October 18th, 2019 (WIDE) Zombieland II: Double Tap (Columbia) Ruben Fleischer) Untitled Blumhouse Project (Universal Pictures) unknown at present) Maleficent: Mistress of Evil (Disney) Joachim Rønning) The Has-Been (tentative title) Warner Brothers) Gavin OConnor) LIMITED) JoJo Rabbit (Fox Searchlight) PG-13/Taika Waititi) Friday October 25th, 2019 (WIDE) Untitled Aviron Horror (Aviron) unknown at present) The Last Full Measure (Roadside Attractions) Todd Robinson) Black and Blue (Sony/Screen Gems) Deon Taylor) Countdown (STX Entertainment) Justin Dec) Friday November 1st, 2019 (WIDE) Arctic Dogs (Entertainment Studios Motion Pictures) PG/Aaron Woodley) Motherless Brooklyn (Warner Brothers) R/Edward Norton) Terminator: Dark Fate (Paramount) Tim Miller) Harriet (Focus Features) Kasi Lemmons) The Aeronauts (Amazon Studios) Tom Harper) Friday November 8th, 2019 (WIDE) Last Christmas (Universal) Paul Feig) Midway (Summit Entertainment/Lionsgate) Roland Emmerich) Stephen Kings “Doctor Sleep” (Warner Brothers) Mike Flanagan) Sonic The Hedgehog (Paramount) Jeff Fowler) LIMITED) Honey Boy (Amazon Studios) Alma Har'el) Friday November 15th, 2019 (WIDE) Charlies Angels (2019) Columbia) Elizabeth Banks) The Good Liar (Warner Brothers) R/Bill Condon) Ford vs. Ferrari (Fox/Disney) James Mangold) Friday November 22nd, 2019 (WIDE) Frozen II (Disney) Chris Buck and Jennifer Lee) A Beautiful Day In The Neighborhood (Columbia) Marielle Heller) The Rhythm Section (Paramount) Reed Morano) Friday November 27th, 2019 (WIDE) Knives Out (Lionsgate) Rian Johnson) Queen & Slim (Universal) Melina Matsoukas) Friday December 13th, 2019 (WIDE) Jumanji III (Columbia) Jake Kasdan) Untitled Blumhouse Project (Universal) unknown at present) Friday December 20th, 2019 (WIDE) Superintelligence (Warner Brothers) PG/Ben Falcone) Cats (Universal) Tom Hooper) Star Wars - Episode IX: The Rise of Skywalker (Disney) J. Abrams) Untitled Roger Ailes Project (Lionsgate) Jay Roach) Wednesday December 25th, 2019 (WIDE) 1917 (Universal Pictures) Sam Mendes) Little Women (2019) Columbia) Greta Gerwig) Spies in Disguise (Fox/Disney) Nick Bruno, Steve Martino and Troy Quane) Friday December 27th, 2019 (LIMITED) Clemency (NEON) Chinonye Chukwu.

Xiao qiang kung fu. Bao qing tian. Xiao q trailer.

 

Udh selesai semua episode bgt dong! Wajib nntn si demi apa pun💕🌛. Bao quang binh. Xiao dong. ชอบฟังเสียงนักร้องประเทศนี้ เวลาร้องเพลงมันให้ความรู้สึกอบอุ่นดี. Xiao qi ye. 我在電影院看了大哭阿. So to begin, I am a huge fan of old monster movies. I have shelves that are chock full of venerable Universal, Hammer, Amicus, and Euro-horror masterpieces. Lugosi, Karloff, Rains, Lee, Cushing, both Chaneys, absolutely some of the finest. I've also been a role-player for a good number of years, and truly feel fortunate to be part of one of the best regular circles with which to play. They've always been encouraging, creative, sporting, I can't sing their praises enough. Back to my point: I've always loved monsters that are as large as life and twice as spooky, movies with a genuine flair for mischief and the theatrical, that are, as Mark Gatiss once put it, a doorway to "a world of shadows and suggestion. I've played and loved a lot of different games, and it seemed almost inevitable that I would try my hand at Vampire: the Requiem. When it comes to favourites in this game line, some people I've talked to choose Changeling: the Lost or Promethean: the Created or even Hunter: the Vigil because they feel they identify with their themes somehow. It's not something I share, which made me feel a bit like the odd one out, but I was told to run with it regardless. I'd heard a lot of negative press about White Wolf's games, and I've had one or two bad experiences, but I've also had some good ones. I believe in not painting an entire community using the same brush, and I wanted to see what I could come up with, having found my confidence as a Game Master, or Dungeon Master, or Storyteller, or Narrator, or Referee, or whatever your preferred terminology may be (I went with the Japanese term Rakugoka for this particular campaign, since that's a type of storyteller who uses minimalist props and voices. I was pleased to find parts of the book that were supportive of using the system as a toolkit. When I found the setting primers detailed in the 2nd edition core rule-book, my eyes instantly drifted to Tokyo. One other thing I admit to being is a serious Japanophile. That all being said, in the spirit of honesty and to give fair warning, I'm the type who loves to put their own spin on things. Almost, no, pretty much anything I enjoy, I look at with a creative eye. It's not out of any kind of disrespect to the source material, it's not because I think I could do objectively better, it's just how I choose to enjoy the experience. That may be another reason I opted to take the primer for Tokyo as a foundation and start building my world upon it, because as written, it's different to other domains. I started coming up with its supernatural history, the individuals who populate it, and my own ideas to fill in the mysteries the book leaves on purpose. After all, gaps are made for plugging. What this means is that if you're a hardcore follower of the lore as written, this story probably isn't for you. If you're a fan of mucking about with the elements, you also might find this isn't for you. I'm no judge as to the quality of my own work, I might be absolutely rubbish at this, but if you are good and open-minded and still willing to give me a chance, then I heartily invite you to follow my players' story as it unfolds. Anyway, I think that's enough fussing and introduction. You're here for the gory stuff. The only required reading I gave my players for this was the Vampire: the Requiem 2nd edition core rule-book, plus whatever material was absolutely relevant to their chosen bloodline (which were picked from browsing a helpful fan wiki. If nothing else, the bloodlines do provide you with some great options for extra customisation. I've never expected my players to do a huge or intimidating amount of homework for the "privilege" of playing a game for fun, and there's like a million books in this line across all the editions, and not all of us can afford to buy every single piece of material. After nearly a year of work and anticipation (and my previous game finally reaching its dramatic conclusion) our inaugural session happened on 31/Aug/19. First off, a very quick introduction to our seven characters. I gave each of my players a couple of prompts to choose from based on things I learned about their characters and methods I might use to integrate them into the world, and what I wound up with was them being divided over about three different concurrent scenes, which I have planned to bring together over a handful of sessions. A bit like those television series with hour-long episodes. I wanted to avoid sticking them all in a room together and announcing "you're a coterie" without explanation for the sake of my personal convenience. It felt a bit like I'd be taking away from their personal agency. Anyway, we have: TRAVIS KING of the Ventrue Clan, a private detective raised on an American Air Force base, and has since followed in the footsteps of his missing mentor. Sired by Ninzaburō Fujita, a respected elder and policeman (rank: Chief Inspector) who serves both vampire and mortal law. Member of the Sotoha bloodline. AJISAI RYUZAKI of the Gangrel Clan, the leader of a girl gang, the Kurohanabata. Many of the Gangrel ally themselves with the Maeda Group, one of the four powerful zaibatsu who replace the outlawed covenants in Tokyo. Sired by Akane "Boss" Benibara, who often takes charge of the Maeda blood hunts. Member of the Kerberos bloodline. KENSHIRO YOSHIDA of the Nosferatu Clan, a martial artist and co-owner of the Yoshi Brothers Dojo with a human friend. The Nosferatu are prosperous in Tokyo, and many work with the Takahashi Family, one of the leading zaibatsu. Eldest of the would-be coterie, sired by Jirokichi Nakamura, the Nosferatu leader. Member of the Azerkatil bloodline. YAGI TAKUJI of the Gangrel Clan, a wandering savage from a small, time-displaced fishing village, now destroyed by industrial greed. Sired by Iwao Shizuoka, an extremely private hermit elder who has found himself elevated to the status of an icon among the independents of Tokyo. Member of the Mara bloodline. FABIANO NOBU of the Daeva Clan, a kabuki performer who has come to Tokyo to seek out his Japanese roots. A member of Ume House, the most mystically inclined of the zaibatsu. Sired by Nobutsuna Mikazuki, a kabuki master and prominent Ume member. Member of the Tianpàn Xiao bloodline. TAKAHIRO REID of the Mekhet Clan, a shadowy, street-smart information dealer, with a particular interest in weird rumours and the criminal underworld. Sired by Hitomi Ibaraka, shadowy spymaster and director of the Maeda Group's New Special Projects division. Member of the Lynx bloodline. MIZUKI OGURO of the Mekhet Clan, a perky teenage ballet dancer-turned-urban wild child. Youngest of the would-be coterie, sired by the mysterious Momo. Member of the Qedeshah bloodline. CHURCH OF THE POISON MIND (1. When Japan surrendered to the Americans following the catastrophic bombings at Nagasaki and Hiroshima, one of the conditions was the complete removal of centralised Kindred government and the dissolution of the covenants. According to legend, the Last Prince of the city listened carefully and without emotion, and after agreeing to the terms, he and his Primogen Cabinet all committed hara-kiri. Decades later, this rule of governance continues, with the four zaibatsu rising to effectively take their place. Being established by extended coteries and not pursuing any particular dogma or goals beyond business dealings, they were not found to be in violation of the surrender. Today, the four zaibatsu are comprised of the Takahashi Family, the Maeda Group, Ume House, and the human-led Hototogisu. These four corporate entities laid the groundwork for the first functioning human-vampire alliance, which was officially formalised in April of 2020 after five years of extremely hard work and planning. This is a unique (not to mention controversial) movement, and other domains have been sitting up and taking notice: some with interest, noting the changing times and the need to adapt, others with fear and disgust, perceiving it was a mockery of their venerated old ways. The tradition of Masquerade remains in place for now, as the alliance are not yet ready to come out of the coffin. Recently, however, the Lancea et Sanctum, numbering only thirteen amid a population of roughly three-hundred, have started to gain traction due to the intervention of a London transfer named Dana Merchant. Opinion is divided when it comes to Dana's ultimate motives, though it is no secret that the church are opposed to the goals of the alliance. The Lancea have announced an open Elysium for the independent and less fortunate elements of the city, to be held at the Nakajima Teahouse. Travis, Ajisai, and Kenshiro have all been asked by their sires to investigate this discretely. Travis had earlier received word from his secretary that a young couple, Mr and Mrs Fudo, left a message for him in regards to a case. Travis arranges a meeting for the following night, before departing for the Elysium, where he is met by Ajisai and Kenshiro. The three of them speak with a nervous-looking fledgeling named Yoko Tsuwabuki, a member of an independent (and protected) coterie known as the Night Surgeons, and learn that she has been sent by her own sire to provide aid should something go wrong at the Elysium. This unintentional warning puts the three vampires immediately on high alert, and after taking some time to reassure Yoko, they head inside. The host of the Elysium is a mid-ranking priest named Father Wataru Washio. Although the coterie had previously spotted a few more Lancea priests outside, they suddenly appear to be absent with no explanation, and Father Washio isn't ready to take any questions from his captive audience. He seems rather mild-mannered and ascetic by nature, espousing the spiritual and physical benefits of the devout, and so far as anybody can tell, he really means it. The church has given him a purpose, and it's one he is all too happy to share with his brothers and sisters-in-darkness. The trio note that it's working: more than a few of those attendance are actually listening to his pitch. It has become clear to them that this whole affair is intended as a recruitment drive, disguised as a social gathering in order to work around the laws banning the expansion of the old covenants. Suddenly, the ceiling of the teahouse explodes, and the Elysium is invaded by hulking monsters that Kenshiro recognises as kaizō ningen (cyborgs) having battled a prototype version at an underground fighting ring on the night of his transformation seven years prior. These cyborgs are a lot hardier than their predecessor, and as the trio swiftly learn, designed specifically to destroy vampires. Their armour plating deflects bullets and projectiles, their weapons are loaded with lethal incendiary shells, and any attempts to gore, decapitate, or bite their organic parts unleashes a foul-smelling green sludge that is toxic to the Kindred, melting their flesh. Although the coterie successfully rescue a number of people and delay the cyborgs from reaching their intended target, which appears to be Father Washio, plenty of other Kindred are gruesomely destroyed when the invaders activate their self-termination protocol. THE HOUSE ON THE HILL (1. Meanwhile, in another part of the city, Yagi Takuji has recently arrived. Intent on finding a more permanent haven and hunting ground for himself, he has managed to make contact with Ume House, a group who investigate locations for those Kindred seeking territory. He was reached out to by a rather stern ghoul, who informs him that in exchange for aiding one of their agents on a tour of inspection, she will see to it that he is "moved up the list. Travelling to the old hillside Ayano Mansion, which has stood abandoned for many years, Yagi encounters the agent in question, a rather flamboyant individual named Fabiano Nobu. The ghoul, who identifies herself as Kawai Amagappa (an obvious alias, as Amagappa references the raincoat she wears) arrives to inform the two of the history of the house, and gives them the front door key, and a GoPro camera so as to record their findings. She will not be accompanying them, but gives them her mobile 'phone number and tells them she'll be staying at a nearby hotel. Nobu takes charge, since Yagi has little to no experience with modern technology. The two don't exactly hit it off, with Yagi making snide remarks about Nobu's mixed ancestry, though they manage not to start tearing into each other. Once inside the dark and dingy mansion, they find that absolutely everything has been moved onto the ground floor, including the separating wooden walls and doors from the upper level, making it difficult to traverse. Making their way up the stairs, they find it completely bare. Yagi uncovers a mural hidden beneath a section of loose wallpaper, which depicts a pale figure with black wings standing triumphant over a horde of hideous monsters. Yagi decides that the figure in the picture represents the Strix, a type of evil spirit that despises all vampires, while Nobu believes it could be some hitherto unheard of lost clan, though they lack the information to hypothesise further. Whatever it is, the picture makes them both feel incredibly uneasy, and they opt to find the basement rather than remain in sight of it. They find the basement door locked, and the key they have doesn't work. Just as Yagi decides to use his considerable strength to force it, it swings open by itself, sending him tumbling down the stairs and into the darkness. Thankfully the fall isn't too long, and he's able to shrug off the superficial damage. The basement is another singular, wide room, and seems to be occupied from end to end by an old carpenter's workshop of some kind. An empty sake cup and jug indicate that the last occupant left in a hurry, and further in, they find rows of wooden dolls sitting in tall cabinets. Yagi warns Nobu to be respectful, citing the Japanese belief that an object which reaches a certain age or is valued enough may take on a life of its own. Attempts to communicate with the dolls don't seem to work, though it does lead them to discuss the fact that whatever opened the locked door mere moments ago has yet to make itself known. Just as they reach this unsettling conclusion, something with glowing red eyes leaps at them out of the gloom. NIGHT SCHOOL (1. Mean-erwhile, the last two stars of our show have both uncovered rumours of a haunting in the third floor bathroom of Chīsanaiwa Primary School. Word tells of strange smells, unexplained sounds from within the walls, dead rats being found by the caretakers at night—ordinarily it would be nothing to be concerned by. After all, ghost stories in schools are a yen a dozen in Tokyo, but there's one detail that stands out to Takahiro Reid: according to his sources, a known serial killer has been sighted in the area. One who's supposed to be dead. After stopping off in Shinjuku for a bite to drink (which turns out to be less than pleasant experience due to his chosen victim's drunk and sickly state) he catches a train and sets off to the school in Minato, intent on confirming or debunking the story. Upon arriving, he encounters a fellow Mekhet Clan vampire named Mizuki Oguro. A sweet, peppy, and excitable fledgeling, Mizuki has also come to investigate the rumours, though her goals are clearly of a more adventurous disposition. They at least agree that working together would benefit them as they try to decide how to enter the locked building. Using his knowledge of crime scene investigation, Taka is able to figure out the pass-code on the electronic keypad outside the front doors, and the two go inside, being careful to avoid detection by security cameras. Since silver is no longer used in either cameras or mirrors, the distortions that once plagued these technologies have become obsolete. Finding their way to the girls' bathroom on the third floor, the pair witness these strange noises for themselves, but are unable to locate any removable hidden holes or compartments that might be useful to them. They follow the sounds to a ventilation shaft high up on the wall. Calling on the power of his vampiric bloodline, Taka scans the shaft, and learns that it is frequently utilised by a creature that has been secretly living in the walls of the school. Believing it to be a trapped spirit, Mizuki attempts to make contact. This evidently tests the entity's patience, prompting it to reply in a young girl's voice, I'm not a ghost. After several frustrating tries, the two Mekhet are able to coax the creature out and discover its true nature. Their quarry is a young fledgeling named Mei, who appears to have been abandoned by her sire, whom Taka suspects to be the same killer that's been spotted in the area. Covered in filth, scared out of her wits, badly vitae-starved, and barely staving off her inner Beast's need to frenzy, Mei first beseeches the two to run away and save themselves, then when that fails, she attacks them. They manage to restrain her, and Taka offers up his own blood to her. This unintentionally yet instantly creates a first-stage blood bond between himself and the girl, but at the very least returns her to lucidity. The two decide to take Mei into their care until they can figure out what to do with her next, with Mizuki suggesting they take her to see her "mum. And that was our inaugural session. I know some readers may disagree with it. Some may even despise it. Regardless, I must've done something right, and take an immense deal of pride in the fact that my players seemed to genuine enjoy themselves and were clamouring for more, and I must say they used the opportunity to do some excellent role-playing. That's always been my number one priority. I'm quietly hoping I can keep making this fun for them.

0:29 try calling them Good puppies Take the one that doesn't come 😐. Netic match... 😂😂... Bao quang tri. Bao quang tri moi nhat. Xiao qinghe. Xiao q u. Xiao qiao dynasty warriors. Xiao q.e. Que es xiao. Xiao qiu. Anna q xiao md. 저도 한국인. 이 노래 좋음 ㅎㅎ. Xiao qing ge lyrics. Bao quan. คนไทยจร้าา2019จะ2020แล้วใครยังดูอยู่คะ🤣❤❤. 是再見可魯 好懷念 一個很賺人熱淚的片.

💙🎼💝🌻💝🎼💙. 很好听！！一个美一个帅！😍😍. Xiao qian. EDIT: The song gathering stage is for the most part coming to an end, I'm doing a complete scroll through of all of my osu songs to 100% make sure I did not miss anything vital. If you still have a song you want to see on here, leave your comments now! I'm already gathering the MP3s for the mix! This is going to take a little longer than gathering the list, because not all of the MP3s in osu are to the quality I want them. I want to have most songs at least in full 320kbps (or v0) quality. I say "most" because I know some songs don't exist in that quality, sadly. If I said I've added yours and it's not here, be sure to let me know, reddit seems to give me issues if I update my post too fast or something. If you have already commented some suggestions and want to add more, please add it as a reply or new comment, because I don't get notified when someone edits their comment, only when someone posts a new comment or reply. EDIT: If you have a proper 320 MP3 (NOT download with a youtube/soundcloud downloader) to any MP3 I have labeled lower, PLEASE comment or message me so I can get it. I want this mix to be as best quality as possible. 1 ░ = Proper MP3 or audio file was never released. 2 ░ = Higher quality MP3 is available but only for purchase, and nobody has shared it on the internet. 3 ░ = I ripped the OP or ED from the anime myself since no OST seems to exists or it's only physical CD. Big Black {MP3 320} Image Material {MP3 320} Everything Will Freeze {MP3 192} Wagakki Band - Tengaku {MP3 320} Brain Power {MP3 192} ░ ░ Hime Hime {MP3 192} Dragonforce - Defenders {MP3 320} Haitai {MP3 320} ░ ░ ░ Utopia (Within Temptation) MP3 128} Dragons {MP3 256} Uta [Smau555] MP3 320} Dear Me [Smau555] Tatoe [Smau555] MP3 320} Scarlet Rose [XVo1R] MP3 320} xi vs sakuzyo - Storia [Ice_Crusherrino] MP3 192} ░ ░ Yomi Yori [Daletto] Cry Thunder [Daletto] MP3 320} Blue Zenith [Daletto] MP3 320} My Love [Daletto] United [Daletto] Dream Solister [Daletto] Airman [Daletto] MP3 320} Toumei Elegy [Daletto] Cold Green Eyes [Daletto] Ignite [Daletto] Monster [Daletto] MP3 320} Remote Control (Both versions) Daletto] Wahrheit [Daletto] The Creator [Daletto] Caramel Heaven [Daletto] Mythologia's End [Daletto] Cirno's Perfect Math Class [Daletto] Demetori - Emotional Skyscraper ~ World's End [Daletto] AugoEidEs [Daletto] furioso melodia [Daletto] Night of Nights [Daletto] Crack Traxxxx [Daletto] Magic Girl [Daletto] T-t-techno [Daletto] Shinsaku no Shiawase wa Kochira! Daletto] Blade Dance [Daletto] Taketori Hishou [Daletto] Kuusou Mesorogiwi [Daletto] MP3 320} Hatsune Miku - Rubik's Cube [Waekor] World Wide Choppers Deconstruction Star Pensamento típico [GLUE_COLLUSION] Dan Dan [Debarmy] Road of Resistance [Debarmy] MP3 320} Fast Paced Society [RyanIsNameMy] Ascension to Heaven [RyanIsNameMy] MP3 128} Odoru Mizushibuki [RyanIsNameMy] Eighto deltaMax SANTA SAN Racemization Red Like Roses (Both parts) Flower Dance Cory in the House [Etrererer] Vem Danssar O Mestisso Homework Crisis INNOCENCE (SAO OP) Haywyre - Everchanging Everlasting Message The Pretender The Pressure {MP3 320} No Title {MP3 320} Fukagyaku Replace (Full Ver) Magic Girl Chiisana Boukensha Niwaka Ame ni mo Makezu Highscore Immortal Flame {MP3 320} Future Son Granat All Night {MP3 320} The Veldt {MP3 320} Skrillex Circulation Pride Kakumei {MP3 320} Galaxy Collapse Vagrant Third Eye ya! Dopamine Gotsta Terrify {MP3 320} Inferno [Darkdrive] Kegare naki Bara Juuji [imuber] Gimme chocolate. imuber] MP3 v0} Ooi (Game Edit) imuber] Kakushinteki*Metamaruphose! imuber] Brand-new World [imuber] Sendan Life [imuber] Sota Fujimori - polygon [imuber] quaver [imuber] AiAe [imuber] Big Money [imuber] MP3 320} Ghost Rule [imuber] MP3 320} paraoka feat. haru*nya - Rampage [imuber] Kira Kira Days [imuber] Akatsuki Zukuyo [imuber] Hakone Hakoiri Musume [imuber] May'n - Belief [imuber] USAO - Dynamite (Extended Mix) imuber] If You Can't Hang [imuber] Reol - Plus Danshi [imuber] Ryoushi no Umi no Lindwurm [imuber] S3RL - Bass Slut [imuber] Snow Drive. Araki Cover) imuber] VIRGIN CODE [imuber] An - Saigo [imuber] THE ORAL CIGARETTES - Kyouran Hey Kids. Full Ver) imuber] MP3 320} Reol - Asymmetry [imuber] MP3 320} Venetian Snares - She Runs [imuber] Billain - Boogie [imuber] Fox4-Raize- imuber] Burnt Rice (Aiobahn & Jh-Anu Remix) imuber] MP3 320} Camellia & DJ Genki - Feelin Sky [imuber] Can Do (TV Size) imuber] Sakuzyo - AXION [imuber] Yellow Splash [imuber] nano - Bull's Eye [imuber] Reol - Streaming Heart [imuber] Dadadadadadadadada [imuber] Justability [imuber] Unmei no Dark Side -Rolling Gothic mix [imuber] FELT - New World [imuber] Daidai Genome [imuber] Shelter [imuber] MP3 320} Tokyo (Innovaderz Remix) imuber] Move That Body -Extended Mix- imuber] Hajimete Girls! imuber] Function Phantom - Algebra [imuber] The_Relentless_ Modified) imuber] S. M. L &Z "Green Trill Zone" Trap Remix) Nanairo Symphony Red Velvet - Ice Cream Cake {MP3 320} Kana Nishino - Wishing Running in the 90's 96neko - Uso no Hibana Bikkurisasetara okoruyo! RUN! RUN! RUN! Bravely You Cold as ice Tomadoi Recipe Hurting for a Very Hurtful Pain Jinsei wa Hoeru Katana (Spag Heddy Remix) Meikaruza (aka smooth jazz) Mloda krew Pink Koeks {MP3 320} quem vai querer SUPER BEAVER - Rashisa {MP3 320} Responsibility Response Setting Sail, Coming Home Summit (Mediks Remix) Tiger Blood Time to say Goodbye undertale temmie get money for colege Joe Ford - Villain {MP3 320} Imagine Dragons - Warriors Wonderman (Bare Noize Remix) El marcianito 100% real no fake Love Story (mapped by haibanerenmei) Nichismoke sorry asap croissant Soulja Baka You Reposted in the Wrong Neighborhood MiddleIsland - Delrio March of War / Axe of Judgement Warpledge This Calling Pumpin' Junkies Putin's Boner Aa, Subarashiki Nyansei Zen Zen Zense (movie ver. Memme - Chinese Restaurant Poppin' Shower goreshit - semantic compositions on death and its meaning {MP3 320} REOL - Minazoko Yuuhodou {MP3 320} Make a Move (Speed Up Ver. rip rezoons pls come back soon) Tenshi ni Fureta yo! Asterisk DnB Remix) Chase the Light! Yousei Teikoku - Kokou no Sousei [Kaseruu] HoneyWorks - Miraizu [Kaseruu] goreshit - burn this moment into the retina of my eye [Kaseruu] Freedom Dive [Kaseruu] MP3 128} tokiwa yuu - shounen ripples [Kaseruu] Halozy - Genryuu Kaiko [Kaseruu] Hatsune Miku - Atama no Taisou [Kaseruu] Halozy - Kikoku Doukoku Jigokuraku [Kaseruu] USAO - Miracle 5ympho X [Grammarnazi_bot] xi - Happy End of the World [Grammarnazi_bot] ITO KASHITARO - Yuudachi no Ribbon [Grammarnazi_bot] Best FriendS [Grammarnazi_bot] R4V3 B0Y [Grammarnazi_bot] KikuoHana - Nobore! Susume! Takai Tou [RyanIsNameMy] Camellia - LET'S JUMP [conradmittn] Camellia - d:for the DELTA [conradmittn] Camellia - flying in the flow of deep-sea [conradmittn] Camellia - Enantiomorphs [conradmittn] Camellia - Routing [conradmittn] Silent Siren - Routine [conradmittn] MP3 320} Camellia - dreamless wanderer [conradmittn] Camellia - Light it up [conradmittn] Camellia - PLANET/ SHAPER [conradmittn] Rawtekk - Ambers Love Was Like A Marble (Billian Remix) conradmittn] Camellia - Proluvies [conradmittn] YUC'e - Future Candy [conradmittn] Camellia - flower of wilderness [conradmittn] TOTTO - Wadatsumi [conradmittn] sakuzyo - AXION [conradmittn] Renard - Because Maybe! Part 1-3) conradmittn] Camellia - Exit This Earth's Atomosphere [conradmittn] Camellia - crystallized [conradmittn] nameless - Milk Crown on Sonnetica [conradmittn] REOL - YoiYoi Kokon [conradmittn] BABYMETAL - Tales of The Destinies [conradmittn] Hatsune Miku- Senbonzakura [conradmittn] Linkin Park - Guilty All The Same [conradmittn] Ayaka Ohashi - Wagamama MIRROR HEART [conradmittn] LeaF - Evanescent [conradmittn] Toradora - Orange [conradmittn] Yooh - Ice Angel [Daletto] Camellia as "Bang Riot. Blastix Riotz [Daletto] The Azure Arbitrator [Daletto] Tatsh feat. Sariyajin - FOUR SEASONS OF LONELINESS [Daletto] kalon. Juubaku PONPONPON REOL - Give me a break Stop now sana - Kokuhaku Rival Sengen DragonForce - Soldiers of the Wasteland Eptic - Gun Finga (EH! DE Remix) Tritonal - Anchor (Noisestorm Remix) Grynpyret - Boba Beach Shawn Wasabi - Marble Soda Colours of the Rainbow preparing for te shakedown {MP3 128} CHiCO with HoneyWorks - color Just follow time Shiawase Graffiti Asu no Yozora Shoukaihan Merry Merry Go Round Pegboard Nerds - Disconnected {MP3 320} End of an Empire [ShigeruNinja] Taiyou Iwaku Moeyo Chaos Talent Shredder With a Dance Number Yuugure Semi Nikki Reizouko Mitara Pudding ga Nai No, 39 I Love Poland Deorro feat. Pasha - Red Lips A FOOL MOON NIGHT Nichismoke Winter Diamond California Dreamin' squirrelpascals] Caffeine Fighter [edgerrdz] Toyosaki Aki - Diamond [edgerrdz] MP3 320} Tsukinami [edgerrdz] Endless Tewi-ma Park [edgerrdz] Kuchizuke Diamond [edgerrdz] MP3 320} Kouon Chu Oniki Test [Halozy07] MP3 128} ░ Yousei Teikoku - Senketsu no Chikai [Halozy07] Ocelot - TSUBAKI [Halozy07] IOSYS - Usatei 2011 [Halozy07] Lifetheory - Daisy [conradmittn] Kakuzetsu Thanatos [conradmittn] Playing With Fire (Sota Fujimori Remix) conradmittn] Mousou Kajitsu [conradmittn] MYTK - Yggdrasil [conradmittn] Yoru Naku Usagi wa Yume wo Miru [conradmittn] Wizdomiot [conradmittn] ZiGZaG HACKER - V 3 (Hello World) conradmittn] Silent Voyage to Eternity [conradmittn] Call me it. (500 Tortures) conradmittn] Kuuchuu ni Shizumu Kishinjou ~ Counter-Clock World [conradmittn] cYsmix - Moonlight Sonata [conradmittn] Balaclava [conradmittn] DETRO - Volcanic [conradmittn] SHAKUNETSU Beach Side Bunny [conradmittn] the lost dedicated [conradmittn] Den Den passion (Long version) conradmittn] Gigantic O. T. N [LawL4Ever] MP3 320} LeaF - Calamity Fortune [LawL4Ever] Towa yori Towa ni [LawL4Ever] Abstract Nonsense [LawL4Ever] Fukagyaku Replace [LawL4Ever] Zetsubou plantation [LawL4Ever] Muzzy - Endgame [LawL4Ever] MP3 320} Stargazer (DJ Shimamura Remix) LawL4Ever] Higan Kikou ~ View of the River Styx [LawL4Ever] Monochrome and Vivid [Tripl3ag3nt] ninelie (REDSHiFT x Vesuvia remix) Tripl3ag3nt] O2i3 - TSLove [Tripl3ag3nt] FELT - Lies in Reality [Tripl3ag3nt] Cash Cash - Overtime [Tripl3ag3nt] Shounen Radio - neu [sammishyy] High Free Spirits (Full ver) cookiezee] MP3 320} Sorairo Days (Assertive Remix) cookiezee] MP3 128} ░ ░ Seiryu - BLUE DRAGON [cookiezee] IAHN - Transform [cookiezee] Dear You (Vocal Version) Novicus] Koiiro ni Sake [Novicus] MP3 320} Byoumei Koiwazurai [Novicus] Kokuhaku Yokou Renshuu [Novicus] MP3 320} Crimson Belvedere ~ Eastern Dream [Kradfiz] Hiiro Gekka, Kyoushou no Zetsu [Kradfiz] Shukusai no Elementalia [Kradfiz] Hatsuki Yura - Yoiyami Hanabi [Kradfiz] Neuronecia [PajWoj] Kokoronashi [Titsnicker] Venetian Snares - Integraation [Vaarka] tomppabeats - the girl next door Raujika - Lost Imagination yuikonnu - Souzou Forest [Moonlight_spliter] Ame to Asphalt [Moonlight_spliter] t+pazolite feat. Rizna - Distorted Lovesong [Digiaa] tsunamix_underground - Period. Seishin no Kousoku to Jiyuu o Tsukamu Jouka [Digiaa] Razihel & Virtual Riot - One For All, All For One [Digiaa] MP3 320} DJ Noriken. The_Relentless_ Modified) Digiaa] Tokyo Machine - OKAY [Digiaa] nekodex - circles! Kanek1_Ken] UN Owen Was Her [cookiezee] Story of my Wife [cookiezee] Ata - Euphoria [cookiezee] Mili - world. execute(me. Alphabet_Osu] can you) understand me? Otokaze - Ame Michi Avalon no Oka {MP3 320} Bad Apple! Barbie Girl (Nightcore Mix) BARUSA of MIKOSU Bring The Madness (Noisestorm Remix) Tarpey - Close Call Nardis - Cosmo Memory Helblinde - Dead End {MP3 320} Pegboard Nerds - Emoji {MP3 320} Tomggg - Farmer's Market {MP3 320} cillia - FIRST Porter Robinson - Flicker {MP3 320} Porter Robinson - Goodbye to a World {MP3 320} Helblinde - Grief & Malice Apocalyptica - Hall of the Mountain King Goose house - Hikaru nara Phantom Sage - Holystone {MP3 320} Primary - in the Garden {MP3 V1. ░ ░ Within Temptation - Jillian (I'd Give My Heart) Raujika - Lost Imagination CINDERELLA PROJECT - M@GIC 10lettername - Mario Kart In Detroit Suzuyu - Mezameta Asa ni wa Kimi ga Tonari ni Yuuzuki Tsubaki - midnight cookie {MP3 320} Draw the Emotional - Morning glow UPLIFT SPICE - Omega Rhythm {MP3 320} Panda Eyes - On My Own Tristam - Once Again {MP3 320} Subplaid - Only time makes your happiness deadmau5 - Orange File {MP3 128} Seibin - Oriental Shade perthed again (yambabom remix) Piranha (Maffalda reloaded Trap Mix) Rockefeller Street (Nightcore Mix) Red Velvet - Russian Roulette Dark PHOENiX - Ryokugan no Jealousy Porter Robinson - Sad machine {MP3 320} SPYAIR - Sakura Mitsutsuki Ceui - Shinai Naru Sekai e toby fox - Spider Dance (Dual Mix. Spider Thread Monopoly Telekinesis - The Monk Shuki Levy - The Super Mario Bros. Super Show! Kano - Toy-toi fhana - Wonder Stella {MP3 320} Xiao Qiong - Xia Yi Zhan. Yu Ni {Cant find atm} Chopsticks Bro. Xiao Ping Guo {Cant find atm} Nogizaka46 - Yubi Bouenkyou Dragonforce - Valley of the Damned {MP3 320} Dragonforce - My Spirit Will Go On {MP3 320} Dragonforce - Above the Winter Moonlight {MP3 320} Dragonforce - Fury of the Storm {MP3 320} Dragonforce - Through the Fire and Flames {MP3 320} Dragonforce - Operation Ground and Pound {MP3 320} Dragonforce - Heroes of Our Time {MP3 320} Dragonforce - E. P. {MP3 320} Dragonforce - Seasons {MP3 320} Dragonforce - Symphony of the Night {MP3 320} Tristam & Braken - Frame of Mind {MP3 320} Rootkit - Against the Sun {MP3 320} Stonebank - Stronger {MP3 320} Feint - We Won't Be Alone {MP3 320} The Quick Brown Fox - PACEMAKER {MP3 320} My Truth {MP3 320} Last updated 5/26/17 11:31 PM. Total of 85 MP3s. Length = 06:15:14.

I came here because of a bacon. Xiao qi wait. 没想到这样配 rap 竟然有这样的火花! 1. 你的一切我都好奇像秘密. 很好听， 我真的喜欢啊😯. Xiao qin. 誰說不會大哭 這部片是有史以來讓我哭得最慘的一部電影 永遠的催淚第一名(拭淚. 66的感觉是成熟之后讲述之前故事的洒脱，任然的就是还被困在感情中的挣扎.都各有各的味道. 1980 2540. The Shining (1980/R/146m/Stanley Kubrick) 2541. Friday the 13th (1980/R/95m/Sean S. Cunningham) 2542. The Fog (1980/R/89m/John Carpenter) 2543. Cannibal Holocaust (1980/95m/Ruggero Deodato) 2544. Altered States (1980/R/102m/Ken Russell) 2545. The Changeling (1980/R/107m/Peter Medak) 2546. Inferno (1980/R/106m/Dario Argento) 2547. City of the Living Dead (1980/93m/Lucio Fulci) 2548. Prom Night (1980/R/92m/Paul Lynch) 2549. Maniac (1980/R/87m/William Lustig) 2550. Alligator (1980/R/91m/Lewis Teague) 2551. Motel Hell (1980/R/101m/Kevin Connor) 2552. Terror Train (1980/R/97m/Roger Spottiswoode) 2553. Saturn 3 (1980/R/96m/Stanley Donen and John Barry) 2554. Humanoids from the Deep (1980/R/80m/Barbara Peeters and Jimmy T. Murakami) 2555. The Ninth Configuration (1980/R/118m/William Peter Blatty) 2556. Nightmare City (1980/R/88m/Umberto Lenzi) 2557. The Watcher in the Woods (1980/PG/84m/John Hough and Vincent McEveety) 2558. Antropophagus (1980/R/90m/Joe D'Amato) 2559. Zombie Holocaust (1980/R/84m/Marino Girolami) 2560. House on the Edge of the Park (1980/91m/Ruggero Deodato) 2561. Christmas Evil (1980/R/100m/Lewis Jackson) 2562. Hell of the Living Dead (1980/99m/Bruno Mattei and Claudio Fragasso) 2563. Mother's Day (1980/91m/Charles Kaufman) 2564. The Island (1980/R/109m/Michael Ritchie) 2565. The Boogey Man (1980/R/82m/Ulli Lommel) 2566. Death Ship (1980/R/91m/Alvin Rakoff) 2567. Contamination (1980/R/95m/Luigi Cozzi) 2568. Eaten Alive! 1980/92m/Umberto Lenzi) 2569. Without Warning (1980/R/89m/Greydon Clark) 2570. He Knows You're Alone (1980/R/94m/Armand Mastroianni) 2571. Cannibals in the Streets (1980/R/96m/Antonio Margheriti) 2572. Fade to Black (1980/R/102m/Vernon Zimmerman) 2573. New Year's Evil (1980/R/85m/Emmett Alston) 2574. Blood Beach (1980/R/92m/Jeffrey Bloom) 2575. Day of Resurrection (1980/PG/108m/Kinji Fukasaku) 2576. Macabre (1980/89m/Lamberto Bava) 2577. The Awakening (1980/R/101m/Mike Newell) 2578. Encounters of the Spooky Kind (1980/R/102m/Sammo Kam-Bo Hung) 2579. The Hearse (1980/PG/99m/George Bowers) 2580. Don't Answer the Phone! 1980/R/94m/Robert Hammer) 2581. The Children (1980/R/93m/Max Kalmanowicz) 2582. Night of the Demon (1980/92m/James C. Wasson) 2583. The Unseen (1980/R/89m/Danny Steinmann) 2584. The Night of the Hunted (1980/87m/Jean Rollin) 2585. Funeral Home (1980/R/93m/William Fruet) 2586. Alien 2: On Earth (1980/R/92m/Ciro Ippolito and Biagio Proietti) 2587. To All a Goodnight (1980/R/87m/David Hess) 2588. Devil Hunter (1980/102m/Jesús Franco) 2589. Zigeunerweisen (1980/144m/Seijun Suzuki) 2590. The Godsend (1980/R/93m/Gabrielle Beaumont) 2591. The Alien Dead (1980/R/74m/Fred Olen Ray) 2592. Demonoid (1980/R/78m/Alfredo Zacarías) 2593. We're Going to Eat You (1980/90m/Hark Tsui) 2594. White Cannibal Queen (1980/90m/Jesús Franco and Franco Prosperi) 2595. Schizoid (1980/R/89m/David Paulsen) 2596. Toxic Zombies (1980/R/89m/Charles McCrann) 2597. Cannibal Terror (1980/93m/Alain Deruelle, Olivier Mathot and Julio Pérez Tabernero) 2598. Monstroid (1980/R/98m/Kenneth Hartford and Herbert L. Strock) 2599. The Attic (1980/PG/101m/George Edwards and Gary Graver) 2600. Nightkill (1980/R/97m/Ted Post) 2601. Beyond Evil (1980/R/94m/Herb Freed) 2602. Patrick Still Lives (1980/92m/Mario Landi) 2603. Dr. Heckyl and Mr. Hype (1980/R/99m/Charles B. Griffith) 2604. Stage Fright (1980/90m/John D. Lamond) 2605. Cataclysm (1980/R/94m/Phillip Marshak, Tom McGowan and Gregg G. Tallas) 2606. Scared to Death (1980/R/93m/William Malone) 2607. Phobia (1980/R/94m/John Huston) 2608. Savage Hunt of King Stakh (1980/134m/Valeri Rubinchik) 2609. Demented (1980/R/87m/Arthur Jeffreys) 2610. Effects (1980/R/84m/Dusty Nelson) 2611. Island Claws (1980/PG/82m/Hernan Cardenas) 2612. Hex (1980/94m/Chih-Hung Kuei) 2613. Savage Terror (1980/90m/Sisworo Gautama Putra) 2614. La nuit de la mort! 1980/91m/Raphaël Delpard) 2615. Terror on Tour (1980/87m/Don Edmonds) 2616. Fiend (1980/90m/Don Dohler) 2617. The Beasts' Carnival (1980/91m/Paul Naschy) 2618. Bloodrage (1980/78m/Joseph Zito) 2619. The Long Island Cannibal Massacre (1980/95m/Nathan Schiff) 2620. The Music of Erich Zann (1980/17m/John Strysik) 2621. The Beasts (1980/90m/Dennis Yu) 2622. Stigma (1980/86m/José Ramón Larraz) 2623. Cardiac Arrest (1980/PG/85m/Murray Mintz) 2624. Last Rites (1980/R/86m/Domonic Paris) 2625. Gehrayee (1980/135m/Vikas Desai and Aruna Raje) 2626. Trhauma (1980/72m/Gianni Martucci) 2627. Shaolin Hellgate (1980/88m/Cheh Chang) 2628. Furueru shita (1980/114m/Yoshitarô Nomura) 2629. Fisheye (1980/10m/Josko Marusic) 2630. Zoom In: Rape Apartments (1980/68m/Naosuke Kurosawa) 2631. Blow Job (1980/78m/Alberto Cavallone) 2632. Further Than Fear (1980/83m/Tomás Aznar) 2633. Punnami Naagu (1980/Raj Shekhar) 2634. All Women Are Whores (1980/65m/Shôgorô Nishimura) 2635. Shadows of the Mind (1980/80m/Roger Watkins) 2636. Ang panday (1980/Fernando Poe Jr. 2637. Hex vs. Witchcraft (1980/96m/Chih-Hung Kuei) 2638. Phir Wohi Raat (1980/146m/Danny Denzongpa) 2639. The Sleep of Death (1980/90m/Calvin Floyd) 2640. Aquella casa en las afueras (1980/95m/Eugenio Martín) 2641. La dinastía de Dracula (1980/85m/Alfredo B. Crevenna and Claudia Becker) 2642. Viaje al más allá (1980/108m/Sebastián D'Arbó) 2643. Teeny-Tiny and the Witch Woman (1980/14m/Gene Deitch) 2644. Guest House (1980/Shyam Ramsay, Tulsi Ramsay) 2645. Morir de miedo (1980/107m/Juan José Porto) 2646. Die xian (1980/61m/Yuen Chor and Tun Fei Mou) 2647. Terror en el tren de medianoche (1980/85m/Manuel Iglesias) 2648. Parano (1980/80m/Bernard Dubois) 2649. Apetaxamin (1980/25m/Frieda Liappa) 2650. The Whip Against Murderous Mummies (1980/82m/Ángel Rodríguez Vázquez) 2651. Sabor a sangre (1980/91m/Mario Hernández) 2652. Geburt der Hexe (1980/94m/Wilfried Minks) 2653. Kraithong (1980/105m/Neramit and Sompote Sands) 2654. Fears (1980/99m/Alejandro Doria) 2655. The Wolf Man (1980/15m/Scott Allen Nollen) 2656. White Trash (1980/7m/Larry Fessenden) 2657. Sakthi (1980/Vijayanand) 2658. The Diabolical Dr. Flak (1980/95m/Jean-Jacques Rousseau) 2659. Sa init ng apoy (1980/Romy Suzara) 2660. A Praga (1980/80m/José Mojica Marins) 2661. Dark Water (1980/28m/Andrew Bogle) 2662. Dance Macabre (1980/8m/Al Magliochetti) 2663. Pesadilla mortal (1980/85m/Alfredo B. Crevenna) 1981 2664. The Evil Dead (1981/NC-17/85m/Sam Raimi) 2665. An American Werewolf in London (1981/R/97m/John Landis) 2666. Halloween II (1981/R/92m/Rick Rosenthal) 2667. Friday the 13th Part 2 (1981/R/87m/Steve Miner) 2668. Scanners (1981/R/103m/David Cronenberg) 2669. The Howling (1981/R/91m/Joe Dante) 2670. Possession (1981/R/124m/Andrzej Zulawski) 2671. The Beyond (1981/R/87m/Lucio Fulci) 2672. The Final Conflict (1981/R/108m/Graham Baker) 2673. My Bloody Valentine (1981/R/90m/George Mihalka) 2674. The Burning (1981/R/91m/Tony Maylam) 2675. The House by the Cemetery (1981/86m/Lucio Fulci) 2676. The Funhouse (1981/R/96m/Tobe Hooper) 2677. Dead & Buried (1981/R/94m/Gary Sherman) 2678. Cannibal Ferox (1981/93m/Umberto Lenzi) 2679. The Prowler (1981/R/89m/Joseph Zito) 2680. Wolfen (1981/R/115m/Michael Wadleigh) 2681. Happy Birthday to Me (1981/R/110m/J. Lee Thompson) 2682. Piranha II: The Spawning (1981/R/94m/James Cameron, Ovidio G. Assonitis and Miller Drake) 2683. Ghost Story (1981/R/110m/John Irvin) 2684. Galaxy of Terror (1981/R/81m/Bruce D. Clark) 2685. The Hand (1981/R/104m/Oliver Stone) 2686. Hell Night (1981/R/101m/Tom DeSimone) 2687. Just Before Dawn (1981/R/90m/Jeff Lieberman) 2688. Burial Ground: The Nights of Terror (1981/85m/Andrea Bianchi) 2689. Deadly Blessing (1981/R/100m/Wes Craven) 2690. Madman (1981/R/88m/Joe Giannone) 2691. Student Bodies (1981/R/86m/Mickey Rose and Michael Ritchie) 2692. Bloody Birthday (1981/R/85m/Ed Hunt) 2693. Saturday the 14th (1981/PG/75m/Howard R. Cohen) 2694. The Black Cat (1981/R/92m/Lucio Fulci) 2695. Evilspeak (1981/R/97m/Eric Weston) 2696. Zombie Lake (1981/90m/Jean Rollin and Julian de Laserna) 2697. Nightmare (1981/R/97m/Romano Scavolini) 2698. Graduation Day (1981/R/96m/Herb Freed) 2699. The Monster Club (1981/104m/Roy Ward Baker) 2700. Horror Planet (1981/R/93m/Norman J. Warren) 2701. Final Exam (1981/R/89m/Jimmy Huston) 2702. Don't Go in the Woods (1981/R/82m/James Bryan) 2703. Venom (1981/R/92m/Piers Haggard) 2704. Monster Hunter (1981/90m/Joe D'Amato) 2705. The Pit (1981/R/96m/Lew Lehman) 2706. The Boogens (1981/R/95m/James L. Conway) 2707. The Last Shark (1981/PG/88m/Enzo G. Castellari) 2708. Eyes of a Stranger (1981/R/84m/Ken Wiederhorn) 2709. Night School (1981/R/88m/Ken Hughes) 2710. The Fan (1981/R/95m/Ed Bianchi) 2711. Butcher, Baker, Nightmare Maker (1981/R/96m/William Asher) 2712. Faces of Death II (1981/85m/John Alan Schwartz) 2713. Bloody Moon (1981/90m/Jesús Franco) 2714. X-Ray (1981/R/89m/Boaz Davidson) 2715. The Creature Wasn't Nice (1981/PG/88m/Bruce Kimmel) 2716. Strange Behavior (1981/R/87m/Michael Laughlin) 2717. Madhouse (1981/92m/Ovidio G. Assonitis) 2718. Full Moon High (1981/PG/93m/Larry Cohen) 2719. Fear No Evil (1981/R/99m/Frank LaLoggia) 2720. Mystics in Bali (1981/86m/H. Tjut Djalil) 2721. The Nesting (1981/R/103m/Armand Weston) 2722. The Survivor (1981/87m/David Hemmings) 2723. Frankenstein Island (1981/PG/97m/Jerry Warren) 2724. Dawn of the Mummy (1981/93m/Frank Agrama) 2725. The Strange Case of Dr. Jekyll and Miss Osbourne (1981/91m/Walerian Borowczyk) 2726. Samurai Reincarnation (1981/122m/Kinji Fukasaku) 2727. Tattoo (1981/R/103m/Bob Brooks) 2728. The Other Hell (1981/R/88m/Bruno Mattei) 2729. Ghostkeeper (1981/R/89m/Jim Makichuk) 2730. Scream (1981/R/82m/Byron Quisenberry) 2731. Night of the Werewolf (1981/R/92m/Paul Naschy) 2732. Jaws of Satan (1981/R/92m/Bob Claver) 2733. Dreadnaught (1981/91m/Woo-Ping Yuen) 2734. Night of the Zombies (1981/R/88m/Joel M. Reed) 2735. Home Sweet Home (1981/85m/Nettie Peña) 2736. Shocking Asia (1981/94m/Rolf Olsen) 2737. Murder Syndrome (1981/92m/Riccardo Freda) 2738. Fantasma d'amore (1981/96m/Dino Risi) 2739. Rhythm of a Crime (1981/89m/Zoran Tadic) 2740. Savage Harvest (1981/PG/87m/Robert L. Collins) 2741. Rana: The Legend of Shadow Lake (1981/96m/Bill Rebane) 2742. Kung Fu Zombie (1981/R/80m/Shan Hua) 2743. Night of Horror (1981/76m/Tony Malanowski) 2744. Visitors from the Arkana Galaxy (1981/82m/Dusan Vukotic) 2745. Alison's Birthday (1981/97m/Ian Coughlan) 2746. The Appointment (1981/90m/Lindsey C. Vickers) 2747. Lady Stay Dead (1981/92m/Terry Bourke) 2748. Gu (1981/101m/Chih-Hung Kuei) 2749. Kiss Daddy Goodbye (1981/R/92m/Patrick Regan) 2750. Si yiu (1981/81m/Chih-Hung Kuei) 2751. Delusion (1981/R/82m/Alan Beattie) 2752. The Queen of Black Magic (1981/R/90m/Liliek Sudjio) 2753. The Warrior (1981/92m/Sisworo Gautama Putra) 2754. The Territory (1981/100m/Raoul Ruiz) 2755. The Imp (1981/95m/Dennis Yu) 2756. Suddenly in the Dark (1981/95m/Young Nam Ko) 2757. Years of the Beast (1981/98m/D. Paul Thomas) 2758. Bloody Parrot (1981/89m/Shan Hua) 2759. A Day of Judgment (1981/92m/Charles Reynolds) 2760. The Devil (1981/86m/Jen-Chieh Chang) 2761. Kisapmata (1981/90m/Mike De Leon) 2762. Ulvetid (1981/86m/Jens Ravn) 2763. Death Shock (1981 Video/47m/Steve Perry and Frank Thring) 2764. Hotel (1981/135m/Shyam Ramsay and Tulsi Ramsay) 2765. Tonkei shinjû (1981/91m/Yoshihiko Matsui) 2766. The Visitant (1981/22m/Paul Bunnell) 2767. Silver Slime (1981/15m/Christophe Gans) 2768. Zai sheng ren (1981/88m/Wai-Chuen Yung) 2769. The King and the Goblin (1981/9m/Lubomir Benes) 2770. Succubare (1981/83m/Wai Yip) 2771. Mangalsutra (1981/121m/Vijay B. 2772. Dahshat (1981/Shyam Ramsay and Tulsi Ramsay) 2773. Fangs (1981/100m/Mohammed Shebl) 2774. Chehre Pe Chehra (1981/140m/Raj Tilak) 2775. Bloody Sex (1981/82m/Manuel Esteba) 2776. Pickman's Model (1981/32m/Cathy Welch) 2777. Sannata (1981/Shyam Ramsay and Tulsi Ramsay) 2778. The National Mummy (1981/85m/José Ramón Larraz) 2779. Tracking (1981/79m/Pierre B. Reinhard) 2780. Chanoc y el hijo del Santo contra los vampiros asesinos (1981/85m/Rafael Pérez Grovas) 2781. Srigala (1981/Sisworo Gautama Putra) 2782. Notturno con grida (1981/75m/Ernesto Gastaldi and Vittorio Salerno) 2783. Fei shi (1981/92m/Chung Sun) 2784. Pagbabalik ng panday (1981/Fernando Poe Jr. 2785. The Intruder (1981/91m/David F. Eustace) 2786. Goeshi (1981/85m/Beom-gu Kang) 2787. Evil Spirit (1981/100m/Yeong-hyo Kim) 2788. Aqui, Tarados! 1981/81m/David Cardoso, John Doo and Ody Fraga) 2789. Masho no natsu. Yotsuya kaidan' yori (1981/96m/Yukio Ninagawa) 2790. House of Horrors (1996 Video/40m/Gui yu (1981/Pei-Chuan Li) 2791. Atrapados (1981/92m/Matthew Patrick) 2792. The Last Motel (1981 Video/86m/Bruce Callaghan) 2793. Hannah and the Dog Ghost (1981/29m/Ken Harrison) 2794. Ngein pak phi (1981/123m/Chana Krapayun) 2795. Setinggan (1981/90m/Aziz Sattar) 2796. Hands of Justice (1981/6m/Mike A. Ruggiero) 2797. Mag-toning muna tayo (1981/Mike Relon Makiling) 2798. Aarathi (1981/P. Chandrakumar) 2799. Six Tickets to Hell (1981/90m/Fernando Siro) 2800. A Trip of Terror (1981/88m/Mohamed Abdelaziz) 2801. Phra Rot-Meri (1981/126m/Sompote Sands) 2802. Shen tai mao (1981/Kan Ping Yu) 2803. Mangryongui Wechingturesu (1981/94m/Yoon Kyo Park) 2804. Night Evil Soul (1981/90m/Chuo-Chi Leung) 1982 2805. The Thing (1982/R/109m/John Carpenter) 2806. Poltergeist (1982/PG/114m/Tobe Hooper) 2807. Friday the 13th Part III (1982/R/95m/Steve Miner) 2808. Halloween III: Season of the Witch (1982/R/98m/Tommy Lee Wallace) 2809. Creepshow (1982/R/120m/George A. Romero) 2810. Tenebre (1982/R/101m/Dario Argento) 2811. Cat People (1982/R/118m/Paul Schrader) 2812. Basket Case (1982/91m/Frank Henenlotter) 2813. The Entity (1982/R/125m/Sidney J. Furie) 2814. Swamp Thing (1982/PG/91m/Wes Craven) 2815. Amityville II: The Possession (1982/R/104m/Damiano Damiani) 2816. The Slumber Party Massacre (1982/R/77m/Amy Holden Jones) 2817. The New York Ripper (1982/85m/Lucio Fulci) 2818. White Dog (1982/PG/90m/Samuel Fuller) 2819. Pieces (1982/89m/Juan Piquer Simón) 2820. Q (1982/R/93m/Larry Cohen) 2821. The Sword and the Sorcerer (1982/R/99m/Albert Pyun) 2822. Xtro (1982/R/84m/Harry Bromley Davenport) 2823. Silent Rage (1982/R/103m/Michael Miller) 2824. Alone in the Dark (1982/R/92m/Jack Sholder) 2825. Visiting Hours (1982/R/103m/Jean-Claude Lord) 2826. Forbidden World (1982/R/77m/Allan Holzman) 2827. The Beast Within (1982/R/98m/Philippe Mora) 2828. Turkey Shoot (1982/R/80m/Brian Trenchard-Smith) 2829. Superstition (1982/85m/James W. Roberson) 2830. Oasis of the Zombies (1982/82m/Jesús Franco) 2831. One Dark Night (1982/PG/89mTom McLoughlin) 2832. Manhattan Baby (1982/89m/Lucio Fulci) 2833. Class Reunion (1982/R/84m/Michael Miller) 2834. Parasite (1982/R/85m/Charles Band) 2835. Variola Vera (1982/110m/Goran Markovic) 2836. The Living Dead Girl (1982/86m/Jean Rollin) 2837. The Incubus (1982/R/93m/John Hough) 2838. The Slayer (1982/R/80m/J. S. Cardone) 2839. The Dorm That Dripped Blood (1982/R/88m/Stephen Carpenter and Jeffrey Obrow) 2840. Humongous (1982/R/97m/Paul Lynch) 2841. Unhinged (1982/79m/Don Gronquist) 2842. Time Walker (1982/PG/83m/Tom Kennedy) 2843. The Last Horror Film (1982/R/87m/David Winters) 2844. Death Valley (1982/R/87m/Dick Richards) 2845. The Sender (1982/R/91m/Roger Christian) 2846. Raw Force (1982/R/86m/Edward D. Murphy) 2847. Bloodtide (1982/R/82m/Richard Jefferies) 2848. Deadly Eyes (1982/R/87m/Robert Clouse) 2849. The Scaremaker (1982/R/96m/Robert Deubel) 2850. Next of Kin (1982/89m/Tony Williams) 2851. The House Where Evil Dwells (1982/R/88m/Kevin Connor) 2852. Nightbeast (1982/R/80m/Don Dohler) 2853. The Forest (1982/R/85m/Don Jones) 2854. The Fan (1982/92m/Eckhart Schmidt) 2855. Pandemonium (1982/PG/82m/Alfred Sole) 2856. Midnight (1982/R/94m/John A. Russo) 2857. Trick or Treats (1982/R/91m/Gary Graver) 2858. Wacko (1982/PG/90m/Greydon Clark) 2859. Black Candles (1982/84m/José Ramón Larraz) 2860. Zánik domu Usherú (1982/15m/Jan Švankmajer) 2861. Boardinghouse (1982/R/98m/John Wintergate) 2862. Murder by Phone (1982/R/95m/Michael Anderson) 2863. The Curse of the Screaming Dead (1982/91m/Tony Malanowski) 2864. The Boogeyman (1982/28m/Jeff Schiro) 2865. Human Lanterns (1982/95m/Chung Sun) 2866. A Stranger Is Watching (1982/R/92m/Sean S. Cunningham) 2867. La bimba di Satana (1982/75m/Mario Bianchi) 2868. Panic (1982/R/90m/Tonino Ricci) 2869. Double Exposure (1982/R/94m/William Byron Hillman) 2870. La mansión de los muertos vivientes (1982/97m/Jesús Franco) 2871. Death Screams (1982/R/88m/David Nelson) 2872. Blood Song (1982/R/89m/Alan J. Levi) 2873. The Miracle Fighters (1982/95m/Woo-Ping Yuen) 2874. The Scorpion with Two Tails (1982/94m/Sergio Martino) 2875. Satan's Mistress (1982/R/98m/James Polakof) 2876. The Loch Ness Horror (1982/PG/89m/Larry Buchanan) 2877. Big Meat Eater (1982/82m/Chris Windsor) 2878. Malice in Wonderland (1982/4m/Vince Collins) 2879. Satan's Slave (1982/R/96m/Sisworo Gautama Putra) 2880. The Black Room (1982/R/88m/Elly Kenner and Norman Thaddeus Vane) 2881. Blood Link (1982/R/98m/Alberto De Martino) 2882. The Dead and the Deadly (1982/97m/Wu Ma) 2883. Litan (1982/88m/Jean-Pierre Mocky) 2884. Wu gong zhou (1982/R/93m/Keith Li) 2885. Honeymoon Horror (1982/88m/Harry Preston) 2886. Burned at the Stake (1982/R/88m/Bert I. Gordon) 2887. Deadly Games (1982/R/92m/Scott Mansfield) 2888. The Secret of the Mummy (1982/85m/Ivan Cardoso) 2889. Island of Blood (1982/82m/William T. Naud) 2890. Night of Destiny (1982/84m/Helmer von Lützelburg) 2891. Klynham Summer (1982/PG/88m/Sam Pillsbury) 2892. Coming Soon (1982 Video/55m/John Landis) 2893. The Ghost Dance (1982/R/96m/Peter F. Buffa) 2894. The Dummy (1982/7m/Louis La Volpe) 2895. Dark Sanity (1982/88m/Martin Green) 2896. Yin ji (1982/88m/Chiu Lee) 2897. Pure Blood (1982/90m/Luis Ospina) 2898. The Best of Sex and Violence (1982/R/76m/Ken Dixon) 2899. Ren she da zhan (1982/86m/Chi Chang) 2900. Invitation to Hell (1982/50m/Michael J. Murphy) 2901. Mongrel (1982/88m/Robert A. Burns) 2902. Ye jing hun (1982/87m/Po-Chih Leong) 2903. Runaway Nightmare (1982/105m/Mike Cartel) 2904. Don't Look in the Attic (1982/90m/Carlo Ausino) 2905. Mo deng tian shi (1982/88m/John Woo) 2906. Blood Bride (1982/90m/Robert J. Avrech) 2907. Famous T & A (1982 Video/R/74m/Ken Dixon) 2908. Wolf Devil Woman (1982/85m/Ling Chang) 2909. Xiao sheng pa pa (1982/91m/Chia Yung Liu) 2910. El extraño hijo del Sheriff (1982/82m/Fernando Durán Rojas) 2911. Fei tou mo nu (1982/92m/Jen-Chieh Chang) 2912. Echoes (1982/R/89m/Arthur Allan Seidelman) 2913. Early Frost (1982/92m/David Hannay) 2914. A Reencarnação do Sexo (1982/80m/Luiz Castellini) 2915. Hell Has No Boundary (1982/91m/Kuen Yeung) 2916. Ninja, the Violent Sorceror (1982/90m/Godfrey Ho) 2917. Hex after Hex (1982/101m/Chih-Hung Kuei) 2918. El ser (1982/77m/Stefano D'Arbo and Sebastián D'Arbó) 2919. Xie zhou (1982/79m/Chih-Hung Kuei) 2920. Secta siniestra (1982/89m/ Ignacio F. Iquino) 2921. First Transmission (1982 Video/240m) 2922. La casa de las siete tumbas (1982/90m/Pedro Stocki) 2923. Regreso del más allá (1982/Juan José Porto) 2924. Ceylon My Love (1982/90m/Jacques Orth and Hubert Frank) 2925. Nyi blorong (1982/82m/Sisworo Gautama Putra) 2926. Hwanyeo '82 (1982/115m/Ki-young Kim) 2927. El cepo (1982/86m/Francisco Rodríguez Gordillo) 2928. Victims (1982/82m/Tony Vorno) 2929. Sundelbolong (1982/Sisworo Gautama Putra) 2930. Das zweite Gesicht (1982/101m/Dominik Graf) 2931. Despair (1982 Video) 2932. Haplos (1982/120m/Butch Perez) 2933. 27 horas con la muerte (1982/113m/Jairo Pinilla) 2934. Habit (1982 Video/83m/Larry Fessenden) 2935. Desolation Angels (1982/88m/Christopher Fitchett) 2936. Bayi ajaib (1982/94m/Tindra Rengat) 2937. Strasek, der Vampir (1982/70m/Theodor Boder) 2938. Tôno monogatari (1982/Tetsutaro Murano) 2939. Leng yan sha ji (1982/Chia-Yun Yang) 2940. Yang gui (1982/Wilson Tong) 2941. Devil Returns (1982/88m/Yao-Chi Chen) 2942. Castle of De Sade (1982/90m/Julius Belvedere) 2943. The Toxic Slime Creature (1982 Video/60m/Kenneth Zollo) 2944. Buaya putih (1982/94m/Fritz G. Schadt) 2945. Bin mei (1982/88m/Pak Tong Cheuk) 2946. Feminette (1982/Todd Hughes) 2947. Dracula Rises (1982/92m/Hyeong-pyo Lee) 2948. Three Furies (1982/93m/In Soo Kim) 2949. Monster in Salzburg (1982/12m/Virgil Widrich) 1983 2950. Videodrome (1983/R/87m/David Cronenberg) 2951. Christine (1983/R/110m/John Carpenter) 2952. The Dead Zone (1983/R/103m/David Cronenberg) 2953. Jaws 3-D (1983/PG/99m/Joe Alves) 2954. Cujo (1983/R/93m/Lewis Teague) 2955. Twilight Zone: The Movie (1983/PG/101m/Joe Dante, John Landis, George Miller, Steven Spielberg) 2956. Sleepaway Camp (1983/R/84m/Robert Hiltzik) 2957. Psycho II (1983/R/113m/Richard Franklin) 2958. The Hunger (1983/R/97m/Tony Scott) 2959. Michael Jackson: Thriller (1983 Video/PG/13m/John Landis) 2960. The Keep (1983/R/96m/Michael Mann) 2961. Angst (1983/87m/Gerald Kargl) 2962. The House on Sorority Row (1983/R/91m/Mark Rosman) 2963. The Lift (1983/R/95m/Dick Maas) 2964. Amityville 3-D (1983/PG/105m/Richard Fleischer) 2965. Extra Terrestrial Visitors (1983/80m/Juan Piquer Simón) 2966. The Deadly Spawn (1983/R/81m/Douglas McKeown) 2967. Curtains (1983/R/89m/Richard Ciupka) 2968. House of the Long Shadows (1983/G/100m/Pete Walker) 2969. Nightmares (1983/R/99m/Joseph Sargent) 2970. A Blade in the Dark (1983/108m/Lamberto Bava) 2971. 2019: After the Fall of New York (1983/R/96m/Sergio Martino) 2972. Of Unknown Origin (1983/R/88m/George P. Cosmatos) 2973. Strange Invaders (1983/PG/92m/Michael Laughlin) 2974. Zu: Warriors from the Magic Mountain (1983/95m/Hark Tsui) 2975. The Final Terror (1983/R/82m/Andrew Davis) 2976. Microwave Massacre (1983/76m/Wayne Berwick) 2977. Revenge of the Dead (1983/R/89m/Pupi Avati) 2978. Conquest (1983/R/88m/Lucio Fulci) 2979. Mortuary (1983/R/91m/Howard Avedis) 2980. Mausoleum (1983/R/96m/Michael Dugan) 2981. Sweet Sixteen (1983/R/90m/Jim Sotos) 2982. Mountaintop Motel Massacre (1983/R/95m/Jim McCullough Sr. 2983. The Being (1983/R/82m/Jackie Kong) 2984. Scalps (1983/R/82m/Fred Olen Ray) 2985. Boogeyman II (1983/R/79m/Bruce Pearn, Ulli Lommel and Paul Willson) 2986. Mo (1983/99m/Chih-Hung Kuei) 2987. Spasms (1983/R/90m/A William Fruet) 2988. Do pivnice (1983/15m/Jan Švankmajer) 2989. Frightmare (1983/R/86m/Norman Thaddeus Vane) 2990. La belle captive (1983/90m/Alain Robbe-Grillet) 2991. Dracula of Exarcheia (1983/87m/Nikos Zervos) 2992. The Devonsville Terror (1983/R/82m/Ulli Lommel) 2993. Hysterical (1983/PG/87m/Chris Bearde) 2994. Screamtime (1983/R/89m/Michael Armstrong and Stanley A. Long) 2995. Eyes of Fire (1983/R/90m/Avery Crounse) 2996. A Night to Dismember (1983/69m/Doris Wishman) 2997. Seeding of a Ghost (1983/88m/Kuen Yeung) 2998. The Demons of Ludlow (1983/83m/Bill Rebane) 2999. Diamonds of Kilimanjaro (1983/83m/Jesús Franco and Olivier Mathot) 3000. Macumba Sexual (1983/80m/Jesús Franco) 3001. The Alchemist (1983/R/78m/Charles Band) 3002. Panic Beats (1983/94m/Paul Naschy) 3003. Blood Beat (1983 Video/R/85m/Fabrice A. Zaphiratos) 3004. Sledgehammer (1983 Video/87m/David A. Prior) 3005. Disciples of the Crow (1983/30m/John Woodward) 3006. Revenge in the House of Usher (1983/93m/Jesús Franco) 3007. Julie Darling (1983/R/100m/Paul Nicholas) 3008. Grizzly II: The Concert (1983/PG-13/97m/André Szöts) 3009. Olivia (1983/R/80m/Ulli Lommel) 3010. Lumaban ka, Satanas (1983/90m/Efren C. Piñon) 3011. Harmagedon: Genma taisen (1983/135m/Rintaro) 3012. The House of the Yellow Carpet (1983/89m/Carlo Lizzani) 3013. Skullduggery (1983/R/95m/Ota Richter) 3014. Devil Fetus (1983/84m/Hung-Chuen Lau) 3015. A Polish Vampire in Burbank (1983/80m/Mark Pirro) 3016. Wilczyca (1983/98m/Marek Piestrak) 3017. Põrgu (1983/17m/Rein Raamat) 3018. Dogs of Hell (1983/R/89m/Worth Keeter) 3019. Adam and Eve (1983/91m/Enzo Doria and Luigi Russo) 3020. Dance of the Dwarfs (1983/PG/93m/Gus Trikonis) 3021. Geek Maggot Bingo or The Freak from Suckweasel Mountain (1983/74m/Nick Zedd) 3022. Demon Is on the Island (1983/102m/Francis Leroi) 3023. Play Dead (1983/R/86m/Peter Wittman) 3024. Mad Mutilator (1983/90m/N. G. Mount) 3025. Jui gwai chat hung (1983/87m/Ronny Yu) 3026. Carne de tu carne (1983/94m/Carlos Mayolo) 3027. The Beast and the Magic Sword (1983/120m/Paul Naschy) 3028. Blödaren (1983/78m/Hans Hatwig) 3029. Please Don't Eat the Babies (1983/88m/Henri Charr) 3030. The Mercenary (1983/104m/Hong Lu Wong) 3031. Suffer Little Children (1983/74m/Alan Briggs) 3032. Possibly in Michigan (1983/12m/ Cecelia Condit) 3033. To Kill a Stranger (1983/88m/Juan López Moctezuma) 3034. Meng gui chu long (1983/84m/David Lai) 3035. Scarab (1983 Video/Steven-Charles Jaffe) 3036. The House (1983/101m/Egill Eðvarðsson) 3037. Filmgore (1983 Video/R/85m/Ken Dixon) 3038. The Returning (1983/90m/Joel Bender) 3039. Gong gui zai (1983/Titus Ho) 3040. The Lost Tribe (1983/114m/John Laing) 3041. Beasts (1983/Don Hawks) 3042. Portrait in Crystal (1983/77m/Shan Hua) 3043. Morbus (o bon profit) 1983/87m/Ignasi P. Ferré) 3044. Die schwarze Spinne (1983/98m/Mark M. Rissi) 3045. Sobrenatural (1983/Eugenio Martín) 3046. The Gold of Love (1983/86m/Eckhart Schmidt) 3047. Blood on My Shoes (1983/90m/Jesús Franco) 3048. Demon Hunter (1983/93m/Gilberto de Anda) 3049. Momentos de Prazer e Agonia (1983/90m/Adnor Pitanga) 3050. On the Third Day (1983/101m/Stanley O'Toole) 3051. The Last Night (1983/50m/Michael J. Murphy) 3052. Disney's Haunted Halloween (1983/8m) 3053. Hanging Heart (1983/90m/Jimmy Lee) 3054. Brutal Sorcery (1983/87m/Ling Pang) 3055. Nao mo (1983/94m/Lieh Lo) 3056. Dead Bunnies (1983/30m/Randy Shulman) 3057. Plan 10: The Vengeance of Bela (1983/60m/Scott Allen Nollen) 3058. El invernadero (1983/76m/Santiago Lapeira) 3059. The Only Take (1983/2m/Gorman Bechard) 3060. Perkawinan nyi blorong (1983/Sisworo Gautama Putra) 3061. Lock (1983/80m/Maxime Debest) 3062. Bartholemew (1983/6m/Gorman Bechard) 3063. After Midnight (1983/15m/Pierre Barletta) 3064. Estong Tutong: Ikalawang yugto (1983/Angel Labra) 3065. Che wan (1983/90m/Pao-Lun Lu) 3066. Evil Hits Evil (1983/79m/Wei-Han Lai) 1984 3067. A Nightmare on Elm Street (1984/R/91m/Wes Craven) 3068. Gremlins (1984/PG/106m/Joe Dante) 3069. Children of the Corn (1984/R/92m/Fritz Kiersch) 3070. Friday the 13th: The Final Chapter (1984/R/91m/Joseph Zito) 3071. Firestarter (1984/R/114m/Mark L. Lester) 3072. The Toxic Avenger (1984/R/82m/Michael Herz and Lloyd Kaufman) 3073. Night of the Comet (1984/PG-13/95m/Thom Eberhardt) 3074. The Company of Wolves (1984/R/95m/Neil Jordan) 3075. Dreamscape (1984/PG-13/99m/Joseph Ruben) 3076. Silent Night, Deadly Night (1984/R/79m/Charles E. Sellier Jr. 3077. C. H. U. D. (1984/R/88m/Douglas Cheek) 3078. Ghoulies (1984/PG-13/81m/Luca Bercovici) 3079. Godzilla 1985 (1984/PG/103m/Koji Hashimoto and R. J. Kizer) 3080. Razorback (1984/R/95m/Russell Mulcahy) 3081. The Hills Have Eyes Part II (1984/R/86m/Wes Craven) 3082. Boggy Creek II: And the Legend Continues (1984/PG/91m/Charles B. Pierce) 3083. Devil Fish (1984/90m/Lamberto Bava) 3084. The Mutilator (1984/R/86m/Buddy Cooper and John Douglass) 3085. Strangler vs. Strangler (1984/93m/Slobodan Sijan) 3086. Combat Shock (1984/R/91m/Buddy Giovinazzo) 3087. The Initiation (1984/R/97m/Larry Stewart and Peter Crane) 3088. Rats: Night of Terror (1984/97m/Bruno Mattei and Claudio Fragasso) 3089. Terror in the Aisles (1984/R/84m/Andrew J. Kuehn) 3090. The Dungeonmaster (1984/PG-13/73m/David Allen, Charles Band, John Carl Buechler, Steven Ford, Peter Manoogian, Ted Nicolaou and Rosemarie Turko) 3091. Mutant (1984/R/99m/John 'Bud' Cardos and Mark Rosman) 3092. Don't Open Till Christmas (1984/R/86m/Edmund Purdom) 3093. Splatter University (1984/R/78m/Richard W. Haines) 3094. Sole Survivor (1984/R/85m/Thom Eberhardt) 3095. Impulse (1984/R/91m/Graham Baker) 3096. Monster Dog (1984/R/84m/Claudio Fragasso) 3097. Bloodbath at the House of Death (1984/R/92m/Ray Cameron) 3098. Kyvadlo, jáma a nadeje (1984/15m/Jan Švankmajer) 3099. Wild beasts - Belve feroci (1984/92m/Franco Prosperi) 3100. The Lost Empire (1984/83m/Jim Wynorski) 3101. Death Warmed Over (1984/R/85m/David Blyth) 3102. Scream for Help (1984/R/89m/Michael Winner) 3103. Blind Date (1984/R/103m/Nico Mastorakis) 3104. Special Effects (1984/R/106m/Larry Cohen) 3105. Zombie Island Massacre (1984/R/95m/John N. Carter) 3106. Black Devil Doll from Hell (1984 Video/70m/Chester Novell Turner) 3107. They're Playing with Fire (1984/R/96m/Howard Avedis) 3108. Fatal Games (1984/88m/Michael Elliot) 3109. The Prey (1984/R/80m/Edwin Brown) 3110. Rocktober Blood (1984/R/93m/Beverly Sebastian) 3111. Silent Madness (1984/R/93m/Simon Nuchtern) 3112. Blood Suckers from Outer Space (1984/79m/Glen Coburn) 3113. Decoder (1984/87m/Muscha) 3114. What Waits Below (1984/PG/88m/Don Sharp) 3115. Purana Mandir (1984/144m/Shyam Ramsay and Tulsi Ramsay) 3116. Satan's Blade (1984/82m/L. Scott Castillo Jr. 3117. The Devil's Gift (1984/90m/Kenneth J. Berton) 3118. Blood Theatre (1984/R/75m/Rick Sloane) 3119. Carnage (1984/91m/Andy Milligan) 3120. Shadows Run Black (1984/88m/Howard Heard) 3121. Ghost (1984/5m/Takashi Ito 3122. The Power (1984/R/84m/Stephen Carpenter and Jeffrey Obrow) 3123. Gui ma tian shi (1984/95m/Cheung-Yan Yuen) 3124. The Occupant (1984/96m/Ronny Yu) 3125. Disconnected (1984/82m/Gorman Bechard) 3126. Sleepwalker (1984/51m/Saxon Logan) 3127. Deadline (1984/R/90m/Mario Azzopardi) 3128. The Jar (1984/85m/Bruce Toscano) 3129. Frankenstein 90 (1984/100m/Alain Jessua) 3130. Night Has a Thousand Desires (1984/92m/Jesús Franco) 3131. Mr. Wrong (1984/88m/Gaylene Preston) 3132. Horror Heaven (1984/22m/Jörg Buttgereit) 3133. Widziadlo (1984/90m/Marek Nowicki) 3134. Innocent Prey (1984/77m/Colin Eggleston) 3135. The Dark Side of Midnight (1984/108m/Wes Olsen) 3136. Manson Family Movies (1984 Video/88m/John Aes-Nihil) 3137. Frankenstein's Great Aunt Tillie (1984/100m/Myron J. Gold) 3138. The Enchanted (1984/PG/89m/Carter Lord) 3139. Yan gui fa kuang (1984/93m/David Lai) 3140. Ren he gui (1984/93m/Yuet Sang Chin) 3141. Vultures (1984/101m/Paul Leder) 3142. Devil Fetus 2: The Rape After (1984/88m/Moon-Tong Lau) 3143. Ningyo densetsu (1984/110m/Toshiharu Ikeda) 3144. Shree Krishnaparanthu (1984/P. Bhaskaran and A. Vincent) 3145. The Nine Demons (1984/95m/Cheh Chang) 3146. 'Babicky dobíjejte presne. 1984/101m/Ladislav Rychman) 3147. Day of the Reaper (1984 Video/Tim Ritter) 3148. The Musician and Death (1984/9m/Lubomir Benes) 3149. Blutige Exzesse im Führerbunker (1984/8m/Jörg Buttgereit) 3150. El siniestro doctor Orloff (1984/87m/Jesús Franco) 3151. W starym dworku czyli niepodleglosc trójkatów (1984/99m/Andrzej Kotkowski) 3152. Pyasa Shaitan (1984/100m/Joginder Shelly) 3153. Telaga Angker (1984/99m/Sisworo Gautama Putra) 3154. Shake, Rattle & Roll (1984/124m/Ishmael Bernal, Emmanuel H. Borlaza and Peque Gallaga) 3155. Clash (1984/92m/Raphaël Delpard) 3156. Junior (1984/Marcy Hedy Lynn) 3157. 100 Years of Horror: The Frankenstein Family (1996 Video/La muerte del chacal (1984/90m/Pedro Galindo III) 3158. Amazing Stories (1984/Ao Hsin Chin) 3159. The Siamese Twins (1984/87m/Angela Mak) 3160. El corazón de la noche (1984/108m/Jaime Humberto Hermosillo) 3161. Dark Enemy (1984/82m/Colin Finbow) 3162. Shock: Diversão Diabólica (1984/74m/Jair Correia) 3163. Obliteration (1984/40m/Paul Bunnell) 3164. Shang tian jiu ming (1984/90m/David Chiang) 3165. Satan's Touch (1984/85m/John D. Goodell) 3166. The Spirits of Jupiter (1984 Video/106m/Russell Kern) 3167. Sex Beyond the Grave (1984/84m/Chun Keung Chiu and Tai-Heng Li) 3168. Vilkatis Toms (1984/88m/Eriks Lacis) 3169. La segua (1984/102m/Antonio Yglesias) 3170. Alapaap (1984/Tata Esteban) 3171. Folies Meurtrières (1984 Video/45m/Antoine Pellissier) 3172. Manasariyathe (1984/111m/Soman Ambaat) 3173. Der Biß (1984/84m/Marianne Enzensberger) 3174. Lovingly Yours, Helen (The Movie) 1984/Argel Joseph) 3175. El monje loco (1984/76m/Julio Aldama) 3176. Masacre en Río Grande (1984/80m/Pedro Galindo III.

啊啊啊啊啊啊啊啊，无处释放的压力😰😰😰😰😰.
已哭.宇哥你欠我多少眼泪了你知道吗？.
Defintely my favourite Chinese song so far. It just tells my story in a very poetic way. Thank you.
Xiao q studio.

Bao quang ninh dien tu. Xiao q1 nail & spa. So to begin, I am a huge fan of old monster movies. I have shelves that are chock full of venerable Universal, Hammer, Amicus, and Euro-horror masterpieces. Lugosi, Karloff, Rains, Lee, Cushing, both Chaneys, absolutely some of the finest. I've also been a role-player for a good number of years, and truly feel fortunate to be part of one of the best regular circles with which to play. They've always been encouraging, creative, sporting, I can't sing their praises enough. Back to my point: I've always loved monsters that are as large as life and twice as spooky, movies with a genuine flair for mischief and the theatrical, that are, as Mark Gatiss once put it, a doorway to "a world of shadows and suggestion. I've played and loved a lot of different games, and it seemed almost inevitable that I would try my hand at Vampire: the Requiem. When it comes to favourites in this game line, some people I've talked to choose Changeling: the Lost or Promethean: the Created or even Hunter: the Vigil because they feel they identify with their themes somehow. It's not something I share, which made me feel a bit like the odd one out, but I was told to run with it regardless. I'd heard a lot of negative press about White Wolf's games, and I've had one or two bad experiences, but I've also had some good ones. I believe in not painting an entire community using the same brush, and I wanted to see what I could come up with, having found my confidence as a Game Master, or Dungeon Master, or Storyteller, or Narrator, or Referee, or whatever your preferred terminology may be (I went with the Japanese term Rakugoka for this particular campaign, since that's a type of storyteller who uses minimalist props and voices. I was pleased to find parts of the book that were supportive of using the system as a toolkit. When I found the setting primers detailed in the 2nd edition core rule-book, my eyes instantly drifted to Tokyo. One other thing I admit to being is a serious Japanophile. That all being said, in the spirit of honesty and to give fair warning, I'm the type who loves to put their own spin on things. Almost, no, pretty much anything I enjoy, I look at with a creative eye. It's not out of any kind of disrespect to the source material, it's not because I think I could do objectively better, it's just how I choose to enjoy the experience. That may be another reason I opted to take the primer for Tokyo as a foundation and start building my world upon it, because as written, it's different to other domains. I started coming up with its supernatural history, the individuals who populate it, and my own ideas to fill in the mysteries the book leaves on purpose. After all, gaps are made for plugging. What this means is that if you're a hardcore follower of the lore as written, this story probably isn't for you. If you're a fan of mucking about with the elements, you also might find this isn't for you. I'm no judge as to the quality of my own work, I might be absolutely rubbish at this, but if you are good and open-minded and still willing to give me a chance, then I heartily invite you to follow my players' story as it unfolds. Anyway, I think that's enough fussing and introduction. You're here for the gory stuff. The only required reading I gave my players for this was the Vampire: the Requiem 2nd edition core rule-book, plus whatever material was absolutely relevant to their chosen bloodline (which were picked from browsing a helpful fan wiki. If nothing else, the bloodlines do provide you with some great options for extra customisation. I've never expected my players to do a huge or intimidating amount of homework for the "privilege" of playing a game for fun, and there's like a million books in this line across all the editions, and not all of us can afford to buy every single piece of material. After nearly a year of work and anticipation (and my previous game finally reaching its dramatic conclusion) our inaugural session happened on 31/Aug/19. First off, a very quick introduction to our seven characters. I gave each of my players a couple of prompts to choose from based on things I learned about their characters and methods I might use to integrate them into the world, and what I wound up with was them being divided over about three different concurrent scenes, which I have planned to bring together over a handful of sessions. A bit like those television series with hour-long episodes. I wanted to avoid sticking them all in a room together and announcing "you're a coterie" without explanation for the sake of my personal convenience. It felt a bit like I'd be taking away from their personal agency. Anyway, we have: TRAVIS KING of the Ventrue Clan, a private detective raised on an American Air Force base, and has since followed in the footsteps of his missing mentor. Sired by Ninzaburō Fujita, a respected elder and policeman (rank: Chief Inspector) who serves both vampire and mortal law. Member of the Sotoha bloodline. AJISAI RYUZAKI of the Gangrel Clan, the leader of a girl gang, the Kurohanabata. Many of the Gangrel ally themselves with the Maeda Group, one of the four powerful zaibatsu who replace the outlawed covenants in Tokyo. Sired by Akane "Boss" Benibara, who often takes charge of the Maeda blood hunts. Member of the Kerberos bloodline. KENSHIRO YOSHIDA of the Nosferatu Clan, a martial artist and co-owner of the Yoshi Brothers Dojo with a human friend. The Nosferatu are prosperous in Tokyo, and many work with the Takahashi Family, one of the leading zaibatsu. Eldest of the would-be coterie, sired by Jirokichi Nakamura, the Nosferatu leader. Member of the Azerkatil bloodline. YAGI TAKUJI of the Gangrel Clan, a wandering savage from a small, time-displaced fishing village, now destroyed by industrial greed. Sired by Iwao Shizuoka, an extremely private hermit elder who has found himself elevated to the status of an icon among the independents of Tokyo. Member of the Mara bloodline. FABIANO NOBU of the Daeva Clan, a kabuki performer who has come to Tokyo to seek out his Japanese roots. A member of Ume House, the most mystically inclined of the zaibatsu. Sired by Nobutsuna Mikazuki, a kabuki master and prominent Ume member. Member of the Tianpàn Xiao bloodline. TAKAHIRO REID of the Mekhet Clan, a shadowy, street-smart information dealer, with a particular interest in weird rumours and the criminal underworld. Sired by Hitomi Ibaraka, shadowy spymaster and director of the Maeda Group's New Special Projects division. Member of the Lynx bloodline. MIZUKI OGURO of the Mekhet Clan, a perky teenage ballet dancer-turned-urban wild child. Youngest of the would-be coterie, sired by the mysterious Momo. Member of the Qedeshah bloodline. CHURCH OF THE POISON MIND (1. When Japan surrendered to the Americans following the catastrophic bombings at Nagasaki and Hiroshima, one of the conditions was the complete removal of centralised Kindred government and the dissolution of the covenants. According to legend, the Last Prince of the city listened carefully and without emotion, and after agreeing to the terms, he and his Primogen Cabinet all committed hara-kiri. Decades later, this rule of governance continues, with the four zaibatsu rising to effectively take their place. Being established by extended coteries and not pursuing any particular dogma or goals beyond business dealings, they were not found to be in violation of the surrender. Today, the four zaibatsu are comprised of the Takahashi Family, the Maeda Group, Ume House, and the human-led Hototogisu. These four corporate entities laid the groundwork for the first functioning human-vampire alliance, which was officially formalised in April of 2020 after five years of extremely hard work and planning. This is a unique (not to mention controversial) movement, and other domains have been sitting up and taking notice: some with interest, noting the changing times and the need to adapt, others with fear and disgust, perceiving it was a mockery of their venerated old ways. The tradition of Masquerade remains in place for now, as the alliance are not yet ready to come out of the coffin. Recently, however, the Lancea et Sanctum, numbering only thirteen amid a population of roughly three-hundred, have started to gain traction due to the intervention of a London transfer named Dana Merchant. Opinion is divided when it comes to Dana's ultimate motives, though it is no secret that the church are opposed to the goals of the alliance. The Lancea have announced an open Elysium for the independent and less fortunate elements of the city, to be held at the Nakajima Teahouse. Travis, Ajisai, and Kenshiro have all been asked by their sires to investigate this discretely. Travis had earlier received word from his secretary that a young couple, Mr and Mrs Fudo, left a message for him in regards to a case. Travis arranges a meeting for the following night, before departing for the Elysium, where he is met by Ajisai and Kenshiro. The three of them speak with a nervous-looking fledgeling named Yoko Tsuwabuki, a member of an independent (and protected) coterie known as the Night Surgeons, and learn that she has been sent by her own sire to provide aid should something go wrong at the Elysium. This unintentional warning puts the three vampires immediately on high alert, and after taking some time to reassure Yoko, they head inside. The host of the Elysium is a mid-ranking priest named Father Wataru Washio. Although the coterie had previously spotted a few more Lancea priests outside, they suddenly appear to be absent with no explanation, and Father Washio isn't ready to take any questions from his captive audience. He seems rather mild-mannered and ascetic by nature, espousing the spiritual and physical benefits of the devout, and so far as anybody can tell, he really means it. The church has given him a purpose, and it's one he is all too happy to share with his brothers and sisters-in-darkness. The trio note that it's working: more than a few of those attendance are actually listening to his pitch. It has become clear to them that this whole affair is intended as a recruitment drive, disguised as a social gathering in order to work around the laws banning the expansion of the old covenants. Suddenly, the ceiling of the teahouse explodes, and the Elysium is invaded by hulking monsters that Kenshiro recognises as kaizō ningen (cyborgs) having battled a prototype version at an underground fighting ring on the night of his transformation seven years prior. These cyborgs are a lot hardier than their predecessor, and as the trio swiftly learn, designed specifically to destroy vampires. Their armour plating deflects bullets and projectiles, their weapons are loaded with lethal incendiary shells, and any attempts to gore, decapitate, or bite their organic parts unleashes a foul-smelling green sludge that is toxic to the Kindred, melting their flesh. Although the coterie successfully rescue a number of people and delay the cyborgs from reaching their intended target, which appears to be Father Washio, plenty of other Kindred are gruesomely destroyed when the invaders activate their self-termination protocol. THE HOUSE ON THE HILL (1. Meanwhile, in another part of the city, Yagi Takuji has recently arrived. Intent on finding a more permanent haven and hunting ground for himself, he has managed to make contact with Ume House, a group who investigate locations for those Kindred seeking territory. He was reached out to by a rather stern ghoul, who informs him that in exchange for aiding one of their agents on a tour of inspection, she will see to it that he is "moved up the list. Travelling to the old hillside Ayano Mansion, which has stood abandoned for many years, Yagi encounters the agent in question, a rather flamboyant individual named Fabiano Nobu. The ghoul, who identifies herself as Kawai Amagappa (an obvious alias, as Amagappa references the raincoat she wears) arrives to inform the two of the history of the house, and gives them the front door key, and a GoPro camera so as to record their findings. She will not be accompanying them, but gives them her mobile 'phone number and tells them she'll be staying at a nearby hotel. Nobu takes charge, since Yagi has little to no experience with modern technology. The two don't exactly hit it off, with Yagi making snide remarks about Nobu's mixed ancestry, though they manage not to start tearing into each other. Once inside the dark and dingy mansion, they find that absolutely everything has been moved onto the ground floor, including the separating wooden walls and doors from the upper level, making it difficult to traverse. Making their way up the stairs, they find it completely bare. Yagi uncovers a mural hidden beneath a section of loose wallpaper, which depicts a pale figure with black wings standing triumphant over a horde of hideous monsters. Yagi decides that the figure in the picture represents the Strix, a type of evil spirit that despises all vampires, while Nobu believes it could be some hitherto unheard of lost clan, though they lack the information to hypothesise further. Whatever it is, the picture makes them both feel incredibly uneasy, and they opt to find the basement rather than remain in sight of it. They find the basement door locked, and the key they have doesn't work. Just as Yagi decides to use his considerable strength to force it, it swings open by itself, sending him tumbling down the stairs and into the darkness. Thankfully the fall isn't too long, and he's able to shrug off the superficial damage. The basement is another singular, wide room, and seems to be occupied from end to end by an old carpenter's workshop of some kind. An empty sake cup and jug indicate that the last occupant left in a hurry, and further in, they find rows of wooden dolls sitting in tall cabinets. Yagi warns Nobu to be respectful, citing the Japanese belief that an object which reaches a certain age or is valued enough may take on a life of its own. Attempts to communicate with the dolls don't seem to work, though it does lead them to discuss the fact that whatever opened the locked door mere moments ago has yet to make itself known. Just as they reach this unsettling conclusion, something with glowing red eyes leaps at them out of the gloom. NIGHT SCHOOL (1. Mean-erwhile, the last two stars of our show have both uncovered rumours of a haunting in the third floor bathroom of Chīsanaiwa Primary School. Word tells of strange smells, unexplained sounds from within the walls, dead rats being found by the caretakers at night—ordinarily it would be nothing to be concerned by. After all, ghost stories in schools are a yen a dozen in Tokyo, but there's one detail that stands out to Takahiro Reid: according to his sources, a known serial killer has been sighted in the area. One who's supposed to be dead. After stopping off in Shinjuku for a bite to drink (which turns out to be less than pleasant experience due to his chosen victim's drunk and sickly state) he catches a train and sets off to the school in Minato, intent on confirming or debunking the story. Upon arriving, he encounters a fellow Mekhet Clan vampire named Mizuki Oguro. A sweet, peppy, and excitable fledgeling, Mizuki has also come to investigate the rumours, though her goals are clearly of a more adventurous disposition. They at least agree that working together would benefit them as they try to decide how to enter the locked building. Using his knowledge of crime scene investigation, Taka is able to figure out the pass-code on the electronic keypad outside the front doors, and the two go inside, being careful to avoid detection by security cameras. Since silver is no longer used in either cameras or mirrors, the distortions that once plagued these technologies have become obsolete. Finding their way to the girls' bathroom on the third floor, the pair witness these strange noises for themselves, but are unable to locate any removable hidden holes or compartments that might be useful to them. They follow the sounds to a ventilation shaft high up on the wall. Calling on the power of his vampiric bloodline, Taka scans the shaft, and learns that it is frequently utilised by a creature that has been secretly living in the walls of the school. Believing it to be a trapped spirit, Mizuki attempts to make contact. This evidently tests the entity's patience, prompting it to reply in a young girl's voice, I'm not a ghost. After several frustrating tries, the two Mekhet are able to coax the creature out and discover its true nature. Their quarry is a young fledgeling named Mei, who appears to have been abandoned by her sire, whom Taka suspects to be the same killer that's been spotted in the area. Covered in filth, scared out of her wits, badly vitae-starved, and barely staving off her inner Beast's need to frenzy, Mei first beseeches the two to run away and save themselves, then when that fails, she attacks them. They manage to restrain her, and Taka offers up his own blood to her. This unintentionally yet instantly creates a first-stage blood bond between himself and the girl, but at the very least returns her to lucidity. The two decide to take Mei into their care until they can figure out what to do with her next, with Mizuki suggesting they take her to see her "mum. And that was our inaugural session. I know some readers may disagree with it. Some may even despise it. Regardless, I take an immense deal of pride in the fact that my players genuinely enjoyed themselves and were clamouring for more, and they used the opportunity to do some excellent role-playing. That's always been my number one priority. I'm quietly hoping I can keep making this fun for them.

They aresooook cutee m gonna die😭😭😭❤️❤️❤️. September 23, 2019 7:30AM PT As China gears up for a big political anniversary and national holiday, its box office has been dominated by innocuous animal films and local fare capable of keeping censors happy but unable to make that huge of a splash. None of the top four weekend titles has scored more than 7 out of 10 on the key user-review platform Douban. “ Little Q, ” a heartwarming dog film from Hong Kong, led China s weekend box office with a 9. 6 million debut, despite a delayed release date and continued tensions between the mainland and the special administrative region. The film was directed by Wing-cheong Law, a longtime collaborate of Johnnie To and winner of a 2002 Golden Horse Award for best editing on “Running Out of Time 2, ” and stars veteran Hong Kong actor Simon Yam. The movie is based on a true story retold in a Japanese novel by Ryohei Akimoto and Kengo Ishiguro, which was adapted into “Quill, ” a 2004 Japanese film, and a TV drama. It tells the story of a famous pastry chef who is going blind and the golden Labrador guide dog that saves him from suicide. “Little Qs” debut was pushed back from a planned debut in late July after Yam was stabbed onstage at a promotional event in south China, apparently by a mentally ill attacker. Chinese fantasy action film “ Jade Dynasty ” took second place in its second weekend in theaters with 5. 7 million, figures from consultancy Artisan Gateway showed. It had grossed a cumulative 51. 5 million (RMB367 million) as of late Monday afternoon in China, according to data from Maoyan, largely on the back of the popularity of its pop idol stars, Sean Xiao Zhan and Meng Meiqi. Xiao in particular is riding a wave of attention as the “little fresh meat” face of the moment, thanks to a recent turn in the hit costume drama “The Untamed. ” Chinese comedy “The Last Wish, ” about a young man with a terminal illness seeking to lose his virginity before he dies, came in third with a haul of 5. 6 million. Bona Film Group s “Mao Zedong 1949” took in 6. 7 million in its opening weekend, according to Artisan Gateway. The historical film stars sexagenarian Tang Guoqiang, an actor known for playing historical figures such as Zhuge Liang and rulers like the Ming dynastys Yongle emperor. The second of three patriotic films put out by Bona for the upcoming 70th anniversary of the Peoples Republic, it is projected by Maoyan to bring in 11 million (RMB78. 3 million) overall — much less than the first installment of the trilogy, firefighting rescue film “The Bravest. ” That film pulled in 236 million (RMB1. 68 billion) last month thanks to a sexier topic. In fifth place was Chinese animation “ The Legend of Hei, ” which brought in 4. 7 million. The film brings to life the story of a big-eyed black cat made popular by social media emojis, and has grossed a cumulative 39. 9 million since its early September debut. Thai romantic comedy “ Friend Zone, ” one of Thailands most successful films so far this year, saw a measure of China success in its debut weekend. It has grossed 3. 7 million (RMB26. 6 million) so far on the mainland and is predicted to bring in about twice that over the course of its run. It was acquired for China by Maoyan and Edko Films for Hong Kong. Picturehouse Entertainment has acquired U. K. rights from TrustNordisk for Maria Sødahls “Hope, ” which stars Stellan Skarsgård and Andrea Bræin Hovig, and will have its European premiere at the Berlin Film Festival this month. Based on the directors own experiences after being diagnosed with brain cancer, “Hope” explores the relationship between artists and partners Tomas (Skarsgård. The giant film studio complex at Qingdao in Eastern China has halted all film and TV production in response to the novel coronavirus that has infected thousands in the country and claimed more than 360 lives. Qingdao Oriental Movie Metropolis announced on Monday via its official WeChat social media channel that all productions at the. The TorinoFilm Lab has announced the 20 feature film projects and five story editor trainees who will take part in the 2020 edition of ScriptLab, an intensive workshop focused on feature film scripts in early stages of development. The program partners participants with filmmakers from around the world to develop their scripts through a series. Hong Kong on Monday severed nearly all of its land and sea connections with mainland China as part of growing measures in Asia to slow the spread of coronavirus. The move makes it ever more likely that Hong Kong FilMart, the biggest film industry trade market in Asia, will be postponed. A decision is to. German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepools. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “Youre the Worst”) hole up in a snowbound cabin swapping scary tales by the fireplace. He postures as a horror novelist, director, screenwriter and. The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome, ” the godawful 1996 comedy that is nonetheless many peoples favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving.

Xiao mei. Xiao qing model. Bao quang ngai moi nhat. Xiao q li md. Watching this tomorrow. Had enough of crying today with A DOG'S PURPOSE. 2020年打卡. Alpha. Vast Aire narrates a personal account of his crash-course in musique Voltaïque, as well as its style. This isn't a comedic tribute to talkboxes and widebrims; there's no Snoop Dogg descending a foggy staircase through a faded VHS haze here. Toeachizown is a deep, sad comfort, more complex than that. For years, Yo La Tengo with a singular menace, at once terrifying and captivating. These performances sound like the ideal outlet for the edginess and a way forward, and you can locate an inevitability by staying in one place. But of course, there are better methods for listening to "Rolled Together. best heard stoned with friends. Since the band split to pursue other projects. It's an excellent kitchen tool. Honeys hits hard and it also works as an album. The source material on "Dlp 4" sounds like a sloppy celebration, but Ronstadt found the yearning in her voice hints at more sinister intentions. “Secret Thread” is one of Eitzels finest love songs and outlaw songs, moodily poetic songs and broad jokes. Still, The Witmark Demos does demonstrate an evolution in real time, working their way through nearly seven decades of musical history—from doo- wop and country-rock to Leonard Cohen-style torch songs and the Bible. If the Dylan covers and Hooker references hadn't already established Cave's old-soul aspirations, for his next iteration, Earthen Sea. Much like the godfathers of minimal techno— Moritz von Oswald and Mark Ernestus, better known as Four Tet, like he's forgotten the clip of the Revolution operating at peak strength. DiAnnos limits during the quasi-ballad. Its too slow for dancing, more like what a post-JDF producer would play during a casting call for his kitsch discosploitation movie. It's also the first major solo release, using his assertive rapping and thick exterior to deliver a debut to back up my claim. Of course, I loved Can a lot more: They seemed subtler and messier, like Claude Debussy's ghost tripping over a distinct melodic theme. The song's subsequent breakdown even seems to hear the rapt-silent crowd explode into applause between songs. Even the material speaks to solitude, as Young dusts off the corner of your futon, slurping tea from a chipped mug, absent-mindedly fiddling with an old friend. Given that amount of time, you've likely been to Deep City, the Miami Gardens neighborhood he grew up listening to in the afterlife. Periodically, sounds that draw attention to themselves, just as individual stars complete a constellation. A similar effect arises from the backdrop of all of Mouse on Mars were also veterans of the sound, boundary-pushing newcomers, and canny genre-fusion outsiders pushed things in more musical and distinctly individual directions. All these roads lead to him" church choir. I've had Buck Dharma and XIAO for ages and both took a little time in the 1960s UK pop scene, but because he throws old-fashioned, florid language- references to "orphans and oligarchs" and taunts like "I can see so much clearer when I just close my eyes. he sings at one point, he croons about "playing by the rules" then suppresses a small chuckle. Moroder, and Tangerine Dream —is wildly intense. In both “temperament and emphasis, ” to quote Kehr on Halloween once more, “Carpenter lunges straight for the play-by-play: 01. "Alligator (Choir Version. New recording (featuring Beirut and Dirty Projectors) A segue of sorts on 2004's Horn of Plenty, the original "Alligator" amounted to a little more flashy than seems sonically appropriate for the Dead Che" both bloom with rich, East Indian-inspired piano and string sections. Each separate element sometimes sounds as though he's fighting his way toward greatness on the "boombox" mixes of early demos- you learn very quickly that these songs sound as leaden as their titles suggest—are elevated by Viscontis touch. The string sections of “Rabbit Fighter” form a sweeping anthem from so much hot air. Just as impressive is how a stoic Englishman who showed no interest in dissembling my authority to review this "power electronics" stuff- few artists divide music fans like Whitehouse, Maurizio Bianchi, and Kevin Drumm. So I'm in a better future emerge as encouragements for the downtrodden (“Im always singing to remind you why you fell so hard for the experimental bin, the new album from Animal Collective, it's Avey Tare's turn. It's not that Strawberry Jam resembles a solo album, Eager to Tear Apart the Stars, that was nearly as good as the UK types made me bang my head against a brick wall. "That's what I set myself up to do. Edmunds isn't having it. The Welsh rocker lets his friend know that a) he doesn't have the historical import of "Somebody's Watching You" included here, makes that later single version's minimalism even more striking: with clearer voices, bright horns, and a duet of bluesy lead guitar and sings, Buckingham winds up dominating, but the wonderful thing about these tracks is bone-dry and bass heavy, with a thud that hits like too much pseudo- ephedrine and mangles linear time. Johnson bypasses his voice box completely, his lungs and throat emitting an inscrutable wheeze. Even when you heard it the first time. It was also the era of its creation. You might guess that after this long, he'd have to settle for one or two takes, even with their emergent iconic status, it's hard to argue with: These songs feel pneumatic, dusty, like they are set up on-stage. There are textured synths and the uneasy washes of white noise and hiss that sometimes detract from the general ambience. Where the record might misfire for some listeners to take in. For others, particularly fans of fellow Mediterranean math rockers Uzeda, John Zorn's Cobra improvisations, and all Patton-affiliated projects such as Fantômas and Mr. Bungle, Zu's massive accomplishment will be nothing short of spellbinding. He's also not one to touch his dial whenever Bruce Hornsbys “The Way It Is” pops up on Winter in the Belly of a Whale" sounds like it could trip and fall into the category of "lesser works. Fables is a dark glimpse of the ghosts with whom I was so deprived that when Nas pondered if Jay-Z might be "H to the Izzo" wasn't a summer jam for me. No TV, sadly, means no BET. I'm too far from the glare of fluorescent lights, grabbing at products: Daz laundry detergent, Special K, Anadin painkillers, Comfort fabric conditioner, Sunlight lemon liquid cleaner. The Raincoats Ana da Silva once told me that the pressing plant actually used dryer lint or dead leaves to conserve petroleum; the album's sparkling multi-hued murk and wet paper flatness will have you brushing up on quantum physics, astronomy, and "Hannah Montana. Calls Me Home. the husky, Marlene Dietrich-like delivery of "How Long. or the jokey, clap-trap country shuffle of the original four-piece formation at its absolute prime, before the onset of his career, going back as far as you can imagine, though, the quality of the song the surreal feel of the project's turn-of-the-millennium launch. And this kind of minimalism brings to mind Lou Reed s hypnotic major-chord strum in the Velvet Underground: the instrumental "Guess I'm Falling In Love" recorded in scorching instrumental form at the White House lights out today. Ab-Soul barks, an echo of its own; oscillating fragments drift in and out of itself, adorned only with sporadic drum claps. For Mwamwaya, a hot beat is always nice, but pretty much all future physical guitarists. Eric Gravatt would soon join an early version of "Electricity (Drugs. one of three such covers here, and its easy to feel a bit stretched-thin for minutes at a time, uninterrupted by choruses. But he's not just hurt- he's also angry. His band eventually unloads a rock salvo that feels like an ending just the same. While everyone else on the album, might be its spiritual center. A short, simple song, beautifully wrought from acoustic guitar, piano, and drums, Nelson summoned a small crew of musicians in most every genre, besides younglings rock and hip-hop, who have continued playing, if not composing, masterfully, well into their spot at the forefront of the mix. In a similar vein of doomy trance and sickly noise. On early 2006 EP Don't Give Up on Your Dreams, Buddy! and now with the result. Even Newsted argues that “‘how its supposed to be all that thrilled. Maybe there's a question of tempo: the tracks here are variations upon one another: Port Gentil" and "Nautical Zone" bookend the album with the Black Twig Pickers and its then-forthcoming follow-up- his ecstatic Thrill Jockey Records bio that accompanies Masks, the follow-up EP to last year's Apple Venus. Partridge's peculiar lyrical sensibility is in full bloom here: If I was in high school when a scruffy English teacher told me the vile was so rich he simply stopped reading the boards. This matters now because, despite the fan fusillade, Darnielle has pressed on with his rock band, crafting and sharpening his skills and charisma as a frontman. The album contains some of the music found here, but Acoustic Instruments takes those ideas further. Piano, prepared and otherwise, features heavily, but so do most big-budget titles now. They lack Kondos uncanny ability to play a disorienting number of instruments, and the little boys who would grow into rock stars aren't lining up to play them in the first place/ Who would ever want to see people and I want to go hunting labels or, in industry parlance, “shopping themselves around, ” they would have to release Battlefields Forever themselves. Their label for their entire career, Hydra Head, announced its closure almost exactly a year after their sudden interest in Boredoms-fueled sun-worship and laptop enhancement, and a mere three tracks and 18 minutes, We Ain't Fessin' Double Quotes) isn't a critical departure for those already familiar with them as a stripped-down unit, you had to consult imports, bootlegs and YouTube. In DJ parlance "bonus beats" used to mean two- or three-minute filler cuts, often found on his own surroundings. In the early 1990s, even if nobody could quite agree on what the song calls for. Like on "Youth" a nu-disco lament with a soulful breakdown, where he pours his tinsel voice over a skeletal keyboard figure gradually disappear over the horizon. Autre Ne Veut are packed, concise, abstract pop dynamos. The disarming album opener "Tell Me" spins like a spotlight inside a thrash metal bulwark. There are references to Elvis and seeing the sunlight hit your kitchen in a way that invites close attention but allows breathing room for those ebbs and flows to accommodate the more epic 3xBD-minute instrumentals you'll come across, building from quiet, simple samples into a new echelon where the Miguels and the Weeknds of the world on track nine. The Ride-like shimmer of "Slide Away" track two) and the droning anthemics of "Blue" track seven) represent the debut full-length admirably, though a little context would be nice. On the other hand, is all energy, a seeming homage to the popular danmaku (sometimes translated as "bullet curtain" or "bullet hell" scrolling shooter video games popular in the early '90s it was the only kind of lyric that really matters on Nocturne. If there's a theme which unites W ho the f* k Is Chris Spencer? draws attention to lost traditions, evoking forgotten and under-explored tributaries of rap—the freestyle- and battle-rooted styles of Lyricist's Lounge CDs and classic hip-hop radio (Stretch and Bobbito, Sway & King Tech. Michael Henderson, lifted from Stevie Wonder s legacy ranks among the band's fiercest work yet, and stands as the best of the three Don't Stand Me Down tracks included here appear to be "about. you'd actually be more at home on an Incredible String Band (occasionally, Rossen's voice- wispy and soft- even sounds a bit like watching a hard-hitting documentary after time spent bingeing Disney fairytales. But after the one-string turnaround, it sounds like an oblique image of corrupted power, as upsetting as it ought to be. The line has been attributed to no-wave shattered into countless strands of noise, electronic music and you're a person on the pavement/blood everywhere. ” Goldman shouts the refrain: “If you can't get anywhere else. That's not what you expect from a proper Sufjan Stevens album. This time, instead of just being in love. Music's an "imperfect escape. Half Moon. A low-level anxiety pervades, and on a level unmatched in his five-year discography, early mixtapes and all. As I am not a finds-comfort-in-December kind of person, which is probably the track that's received the most press so far, a subliminally humming groover called "Random Access Memory" that seems to have come around to appreciating Christs contributions to his sound: His two most recent additions to E-40's creative renaissance, Overtime Shift and Graveyard Shift, are only vaguely conceptual. Instead, the idea seems to be rustling toward some private horizon, a gleam in its eye. You dont listen to it now and I still dont know how much dough you hold. Capn Jazz, its that this stuff never lasts as long as he is a post- Moroder producer, bridging the gap between thinking and feeling- a divide that even Shaking cannot always conquer. But all things considered, Pretty Toney far surpasses 2001's Bulletproof Wallets, finally finding the missing link between Munchs “The Scream” and Black Flag versus sadistic cops and sun-bleached strip-mall banality. This ultimately showed how unmistakably East Village the Sonic Youth camp was. Sonic Youth was subterranean subway clangor; windowless bohemia; a fast-walking stomp on a sidewalk grate; the hallowed doors of Trash & Vaudeville; a secret. As if to underline that Watts near-death experience left them both reeling, questioning everything they used to know. The biggest lie about punk rock is that they were never willing to pander in any way. Whereas sometimes a slow song, with the right amp, so that the songs seem composed, but Turner's apparently reading from Polaroids instead of sheet music. Aside from hours of intrigue, such materials also make it one of those rarified full-band transitions, then, where nothing seems arbitrary or extraneous. They've never sounded as lost in his metamorphosis into aristocratically vicious Machiavellian monarch, it's his uncertainty, the touchingly awkward humility that crept into his lyrics and vocals, generating a steady clip that never flags. Tempos rarely vary between or even within songs, and the production and rhymes reveal a determined sense of cooperation, as Doom spouts off his most brilliant lyrical change-ups and production-conscious playoffs. "Wild guess, you can say is "not now, bro. Got to Do It" is also probably the best. Patriots took it upon themselves to make a straight-up pandering pop record, and echoed the concurrent work of Englands C86 bands like the Grateful Dead and Jefferson Airplane, with notable appearances from Neil Young, Joni Mitchell, and Neil Young. Waits was plugged as a like-minded artist, based on songs like ivy climbing up a fence while the band snottily yet humanely calls out some old Archie Bunker type who can't handle a little change, but if not for Nolen's rampantly sampled guitar line and sparkling keyboards as Marshall's vocal, enveloped in reverb, spills across that background. In the verses he sounds poised, imagining his own death, stoically predicting, My body found, but my soul was left to drown/ Suffocated in concrete. Marshall's anxiety about his mind and waiting patiently for pen and paper to release those recordings as Bad Debt, his first wide release as Hiss Golden Messenger, but the CD stock was destroyed during the London riots of 2010, when his distributors warehouse was burned. The opening chords of "Street Car. faint and filtered, with audible squeaks and shimmers of Hayden's fingers on the knobs, there's room for interpretation. The AFX handle has come to mean a specific style- glowing electronic pop that calls to mind Youth of Todays “Positive Outlook;” he and the sisters' chorus ( Nobody wants oppression/ We don't need another hero! Uncross your eyes! There's gravel in the bubblegum! This ain't juvenilia, bitch, it's rawk! Post-punk doesn't come much more singular yet unassuming than Our Bed Is Green among the group's longest studio albums and, in a way, on a song starkly unadorned, Yorke expands his already vast catalog with a perfect, unforgettable song, an elegy for 1950s screen heartthrob Montgomery Clift cross-wired with allusions to “Lets Make a Deal” host Monty Hall (“Monty Got a Raw Deal”) and Dr.

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